...introducing it with an exculpatory word. "The thing," he wrote, "was my earliest attempt at 'poetry, always dramatic in principle, and so many utterances of so many imaginary persons, not mine,' which I have since written according to a scheme less extravagant and scale less impracticable...

...enough, I suppose, under the head of " Dramatic Pieces" ; being, though often Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine. — RB Then, God for King Charles ! Pym and his snarls To the Devil that pricks on such pestilent...

...properly enough under the head of dramatic pieces, being, though for the most part lyric in expression, always dramatic in principle, and so many utterances of so many imaginary persons, not mine." We have already, in the chapters on the Elizabethan dramatists, touched upon the question of...

...properly enough, I suppose, under the head of "Dramatic Pieces"; being, though often Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine. The full meaning of the word ' dramatic ' as a term of morphology would involve more than this:...

...Mrs. Browning; but there is no reason to set it apart from the other poems described by Browning as ' always dramatic in principle, and so many utterances of so many imaginary persons.' COO. 4. angled spar. ' A prism of Iceland spar Las the property of polarizing or dividing a ray of...

...suppose, under the head of " Dramatic Pieces ; " being:, though for the most part Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine. England, good cheer ! Rupert is near I Kentish and loyalists, keep we not here (Cho.) Marching...

...attention may be accorded to the Dramatic Lyric of Browning, — " though often lyric in expression, always dramatic in principle, and so many utterances of so many imaginary persons, not mine." K. Reflective Lyric. Since reflection often seems the opposite pole of the passion that finds...

...changed) and introduce a boyish work by an exculpatory word. The thing was my earliest attempt at "poetry always dramatic in principle, and so many utterances of so many imaginary persons, not mine," which I have since written according to a scheme less extravagant and scale less impracticable...

...for the artistic position. In the preface to the edition of 1868, Browning speaks of his poems as " always dramatic in principle and so many utterances of so many imaginary persons, not mine." Again, in At the Mermaid, he writes : Which of you did I enable Once to slip inside my breast,...

...containing much of Browning's very best work. Whether in the form of lyric or monologue, they are all " dramatic in principle, and so many utterances of so many imaginary persons, not mine." ' Christmas Eve and Easter Day, companion poems, deal, the one with evangelicalism, Roman Catholicism,...