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" The thing was my earliest attempt at 'poetry always dramatic in principle, and so many utterances of so many imaginary persons, not mine... "
Robert Browning: Essays and Thoughts - Página 2
por John Trivett Nettleship - 1890 - 454 páginas
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Pauline: Paracelsus; Pippa Passes; King Victor and King Charles, Volume 1

Robert Browning - 1898 - 396 páginas
...and introduce a boyish work with an exculpatory word. The thing was my earliest attempt at ' poetry always dramatic in principle, and so many utterances of so many imaginary persons, not mine,' which I have since written according to a scheme less extravagant and scale less impracticable...
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Men and Women

Robert Browning - 1899 - 312 páginas
...suppose, under the head of ' Dramatic Pieces ; ' being, though for the most part Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine." This advertisement applies equally to the Dramatic Ro" mances and Lyrics, among the contents...
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The Complete Works of Robert Browning: Pauline. Paracelsus. Pippa passes, etc

Robert Browning - 1899 - 506 páginas
...changed) and introduce a boyish work by an exculpatory word. The thing was my earliest attempt at ' poetry always dramatic in principle, and so many utterances of so many imaginary persons, not mine,' which I have since written according to a scheme less extravagant and scale less impracticable...
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The Earlier Monologues of Robert Browning

Robert Browning - 1900 - 314 páginas
...suppose, under the head of 'Dramatic Pieces'; being, though for the most part Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine." This publication is a single royal 8vo sheet, 16 pages including the title, stitched into a...
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The Earlier Monologues of Robert Browning

Robert Browning - 1900 - 308 páginas
...suppose, under the head of " Dramatic Pieces ; " being, though for the most part Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine. in God Hampden to Hell, and his obsequies' knell Chariest Serve Hazelrig, Fiennes, and young...
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A Blot in the 'scutcheon: Colombe's Birthday, A Soul's Tragedy, and In a Balcony

Robert Browning - 1904 - 354 páginas
...'' in both cases inevitably causes confusion. When Browning early commented upon his poems : " Their contents are always dramatic in principle, and so many utterances of so many imaginary persons," he apparently showed that he himself labored under this error. He felt in himself high powers of characterization,...
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A Blot in the 'scutcheon: Colombe's Birthday, A Soul's Tragedy, and In a Balcony

Robert Browning - 1906 - 358 páginas
...dramatic" in both cases inevitably causes confusion. When Browning early commented upon his poems : "Their contents are always dramatic in principle, and so many utterances of so many imaginary persons," he apparently showed that he himself labored under this error. He felt in himself high powers of characterization,...
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Dramatis Personae: & Dramatic Romance & Lyrics

Robert Browning - 1909 - 290 páginas
...suppose, under the head of ' ' Dramatic Pieces ; " being, though for the most part Lyric in expression, always Dramatic in principle, and so many utterances of so many imaginary persons, not mine. VOL. II 129 K Then, God for King Charles ! Pym and his snarls To the Devil that pricks on such...
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Robert Browning: Shorter Poems; Selected and Ed. with Introduction and Notes

Robert Browning - 1909 - 266 páginas
...Mrs. Browning; but there is no reason to set it apart from the other poems described by Browning as "always dramatic in principle, and so many utterances of so many imaginary persons." 94, 4. — angled spar. "A prism of Iceland spar has the property of polarizing or dividing a ray of...
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The Life of Robert Browning: With Notices of His Writings, His Family, & His ...

William Hall Griffin - 1910 - 440 páginas
...is from Pauline ; and, in spite of his warning that this poem was his earliest attempt at poetry, " always dramatic in principle, and so many utterances of so many imaginary persons, not mine," it must be accepted in its main outlines as distinctly autobiographical, and, if read aright,...
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