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" That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have/ He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and... "
The Gentleman's Magazine - Página 161
1814
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Audition Scenes for Students, Volume 1

John Wray Young - 1967 - 180 páginas
...the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty, and appall the free, Confound the ignorant, and amaze, indeed, The very faculties of eyes and ears. Yet I, 28 Hamlet A dull and muddy -mettled rascal, peak, Like John-a-dreams, unpregnant of my cause,...
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An Audition Handbook of Great Speeches

Jerry Blunt - 1990 - 232 páginas
...passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the...amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, And say nothing;...
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Hamlet

William Shakespeare - 1992 - 196 páginas
...passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the...amaze indeed The very faculties of eyes and ears. Yet I, 550 A dull and muddy-mettled rascal, peak Like John-a-dreams, unpregnant of my cause, And can...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 páginas
...the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appall Childhood 64 The glory and the freshness of a dream. (1. 5) 65 The things which I Yet I, A dull and muddy-mettled rascal, peak Like John-a-dreams, unpregnant of my cause. And can say...
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Melodrama and Asian Cinema

Wimal Dissanayake - 1993 - 300 páginas
...tempo. One day's hero was the next day's villain. Fanatics "cleave the general ear with horrid speech / Make mad the guilty and appal the free, / Confound...and amaze indeed / The very faculties of eyes and ears."36 In the post-Cultural Revolution era, Chinese films have incessantly been made to "reflect"...
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After Oedipus: Shakespeare in Psychoanalysis

Julia Reinhard Lupton, Kenneth Reinhard - 1993 - 290 páginas
...the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appall the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. (II. ii. 554— 60) Given Hamlet's role, the Player would out-Seneca Seneca, going beyond the tearful...
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Shakespeare Studies, Volume 23

J. Leeds Barroll - 1995 - 304 páginas
...passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the...amaze indeed The very faculties of eyes and ears. (2.2.544-60) If Hecuba were not a representational fiction, one would conclude from this passage that...
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Selected Poems

William Shakespeare - 1995 - 136 páginas
...passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the...amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak Like John-a-dreams, unpregnant of my cause, And can say...
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The Unmasking of Drama: Contested Representation in Shakespeare's Tragedies

Jonathan Baldo - 1996 - 228 páginas
..."cue for passion." He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the...amaze indeed The very faculties of eyes and ears. (2.2.556-60) Presenting the visible and audible in partnership, the Player's Speech functions as a...
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The Aesthetic Contract: Statutes of Art and Intellectual Work in Modernity

Henry Sussman - 1997 - 338 páginas
...passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the...amaze indeed The very faculties of eyes and ears. (II.ii.533-50) Yet the very predicament in which Hamlet finds himself embedded offers its own means...
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