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" Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on... "
Twelfth night. Winter's tale - Página 25
por William Shakespeare - 1788
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The plays of Shakspere, carefully revised [by J.O.] with ..., Parte 166,Volume 1

William Shakespeare - 1853 - 746 páginas
...Excellently done, if God did all. OK. 'Tis in grain, sir; 'twill endure wind and weather. Vio. "I is beauty truly blent, whose red and white Nature's own...sweet and cunning hand laid on : Lady, you are the cruellest she alive, If you will lead these graces to the grave, And leave the world no copy. Oli....
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The Works of Shakespeare: The Text Regulated by the Recently Discovered ...

William Shakespeare, John Payne Collier - 1853 - 1158 páginas
...see your face. [Unveiling. Oli. '.T is in grain, sir : 't will endure wind and weather. Vio. 'T is ren sister all your life, Chanting faint hymns to...the cold fruitless moon. Thrice blessed they, that m cruelPst she alive, If you will lead these graces to the grave, And leave the world no copy. Oli. O...
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Gabriel Harvey and Thomas Nashe

Edward George Harman - 1923 - 296 páginas
...cheeks). Sonnet ix. Shakespeare : " If she be made of white and red." Love's Labour's Lost, I., 2. " In beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on." Twelfth Night. I., 6. " Such war of red and white within her cheeks." Taming of the Shrew, IV., 5....
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The Story of Elizabethan Drama

George Bagshawe Harrison - 1924 - 164 páginas
...you the picture. Look you, sir, such a one I was this present: is't not well done? (Unveiling.) v1o. Excellently done, if God did all. OLI. 'Tis in grain, sir; 'twill endure wind and weather. v1o. 'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady,...
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Scenery in Shakespeare's Plays, and Other Studies

David Watson Rannie - 1926 - 424 páginas
...Night, when Viola, after Olivia has unveiled, gives exquisite expression to joy in her beauty : — ' Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on.' 3 Romeo and Juliet, Act II. Sc. 2. 4 Ibid. Act III. Sc. 5. 4 King Richard III., Act V. Sc. 34 The sun...
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Shakespeare's Principal Plays

William Shakespeare - 1927 - 970 páginas
...you the picture. Look you, sir, such a one I was this present: is't not well done? [Unveiling.] Vio. irs of sand, wear yet upon their Vio. 'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady,...
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Modern Eloquence: A Library of the World's Best Spoken Thought, Volume 14

Ashley Horace Thorndike - 1928 - 494 páginas
...KEATS. O, thou art fairer than the evening air Clad in the beauty of a thousand stars. — MARLOWE. Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on. — SHAKESPEARE. True beauty dwells in deep retreats, Whose veil is unremoved Till heart with heart...
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Archiv für das Studium der neueren Sprachen und Literaturen, Volumes 31-33

1862 - 1446 páginas
...Gloss, voce Heir-loom): but such bulky articles would be more properly described as fixtures. Viol«. 'Tis beauty truly blent, whose red and white Nature's...sweet and cunning hand laid on: Lady, you are the cruel'st she alive, If you will lead these graces to the grave, And leave the world no copy. Olivia....
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Transactions of the Devonshire Association for the Advancement of ..., Volume 19

Devonshire Association for the Advancement of Science, Literature and Art - 1887 - 724 páginas
...ever after impressed on his mind ; for the apple blossom complexion in many of his portraits, the " beauty, truly blent, whose red and white Nature's own sweet and cunning hand laid on," is one of the distinguishing qualities of his works which give him undying fame. Tom Taylor says that...
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Shakespeare Survey, Volume 32

Kenneth Muir - 2002 - 280 páginas
...indeed it may be, Viola's reaction to a rival of powerful charm: but it's a sympathetic reaction too: 'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on. (i, v, 228-9) The complexities increase in the central Viola/Orsino scene. Viola uses her disguise...
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