 | William Shakespeare - 1841 - 316 páginas
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...each other ; and where is the absurdity of allowing thut space to represent first Athens, and then Sicily, which was always known to be neither Sicily... | |
 | William Shakespeare - 1844 - 348 páginas
.... The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...but the different actions that complete a story may he in places very remote from each other ; and where is the absurdity of allowing that space to represent... | |
 | William Shakespeare - 1857 - 354 páginas
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1878 - 750 páginas
...field, The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
 | William Shakespeare - 1882 - 996 páginas
...field. The truth is, that the spectators are always in their senses, and know, from the first act to the tpass'd: — but women, indeed, cannot abide 'em ;...favoured rough things. Re-enter PAGE. Page. Come, Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but & modern theatre... | |
 | James Mercer Garnett - 1890 - 730 páginas
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just...absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre... | |
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They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some place; but the different actions that complete a story may be in places very... 
