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" I ask not for the great, the remote, the romantic ; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy ; I embrace the common, I explore and sit at the feet of the "familiar, the low. "
Select Essays of Ralph Waldo Emerson - Página 58
por Ralph Waldo Emerson - 1907 - 245 páginas
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Library Essays about Books, Bibliophiles, Writers, and Kindred Subjects

Henry Howard Harper - 1924 - 208 páginas
...art and literary compositions is an almost certain indication of merit; although Emerson said, — Give me insight into today, and you may have the antique and future worlds. In the poetical effusions of the past we are continually discovering new interpretations and recondite...
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American Literature

Robert Shafer - 1926 - 1410 páginas
...feet. I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is exciting those very people to rise in arms among us, and to purchase that may'have the antique and future worlds. What would we really know the meaning of? The meal in the Arkin;...
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Emerson: A Study of the Poet as Seer

Robert Malcolm Gay - 1928 - 276 páginas
...that to the soul there is no great and small, no high and low. "I embrace the common, I explore it and sit at the feet of the familiar, the low. Give...to-day, and you may have the antique and future worlds." In "The Sphinx" he declares that "The fiend that man harries Is love of the Best;" and here he says...
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The American Labor Legislation Review, Volume 7

1917 - 716 páginas
...a small ocean." He might also have said the man is a small government. In this same address he said "Give me insight into to-day and you may have the antique and the future worlds." And within a quarter of a century after Emerson delivered his address on The American...
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Anthology of Western Reserve Literature

David Rollin Anderson, Gladys Haddad - 1992 - 332 páginas
...gauntlet: "I ask not for the great, the remote, the romantic, what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the...explore and sit at the feet of the familiar, the low." Hawthorne confessed several years later, in The Scarlet Letter, his classic work which focuses on a...
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Popular Culture and Acquisitions

Allen W. Ellis - 1992 - 164 páginas
...feet. I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal Minstrelsy; I embrace the...into today, and you may have the antique and future worlds.10 Proponents of popular culture argue that true insight into any era of culture can be gained...
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Keeping Faith: Philosophy and Race in America

Cornel West - 1993 - 352 páginas
...Emerson, I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the...feet of the familiar, the low. Give me insight into day and you may have the antique and future worlds.1 This artistic affirmation of everyday experiences...
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Emerson's Literary Criticism

Ralph Waldo Emerson - 1995 - 304 páginas
...experience, so much of the wilderness have I vanquished and planted. . . ." "Life is my dictionary." "Give me insight into to-day, and you may have the antique and future worlds. ..." These and many other such familiar epigrams are eloquent expressions of the practical idealism...
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Charles Ives and His World

James Peter Burkholder - 1996 - 470 páginas
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provençal minstrelsy; I embrace the common, I explore and sit...would we really know the meaning of? The meal in the firken; the milk in the pan; the ballad in the street; the news of the boat; the glance of the eye;...
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Facing Facts: Realism in American Thought and Culture, 1850-1920

David E. Shi - 1996 - 410 páginas
...and he enthusiastically sanctioned their efforts: "I ask not for the great, remote, the romantic ... I embrace the common, I explore and sit at the feet of the familiar, the low." This romantic celebration of the actualities of common life, however tentative, vicarious, or celestial,...
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