| Garry Wills - 1992 - 324 páginas
...the distant line of the horizon, man beholds somewhat as beautiful as his own nature." And pp. 5-6: "There is a property in the horizon which no man has...eye can integrate all the parts, that is, the poet." Italics added. 24. In the Second Walk, Rousseau is knocked unconscious by a Great Dane and the moment... | |
| Thomas L. Haskell, Richard F. Teichgraeber, III - 1996 - 564 páginas
...definition had not exhausted all possible understandings of the term. For there was also, as Emerson put it, "a property in the horizon which no man has but he...eye can integrate all the parts, that is, the poet." 27 One recent commentator sees Emerson's call for a revolution in our conception of property as evidence... | |
| Joan Burbick - 1994 - 368 páginas
...without the harsh reality of the capitalist order: "Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape....farms, yet to this their warranty-deeds give no title" (N, 9). The act of perceiving the "landscape" not only joins aesthetic delight to vision, but also... | |
| Konrad Gross, Meinhard Winkgens - 1994 - 432 páginas
...Programmschrift Nature in der ersten Hälfte des neunzehnten Jahrhunderts zum Ausdruck gekommen ist:5 There is a property in the horizon which no man has but he whose eye can integrate all parts, that is, the poet. [...] In the woods, we return to reason and faith. There I feel that nothing... | |
| Richard R. O'Keefe - 1995 - 252 páginas
...central passage under discussion, instruct us positively and negatively in how to read that passage. "There is a property in the horizon which no man has...eye can integrate all the parts, that is, the poet" (8). Here Emerson prepares the reader for an explicitly poetic or imaginative experience, one which... | |
| Demaree C. Peck - 1996 - 350 páginas
..."Miller owns this field, Locke that, and Manning the woodland beyond," he nonetheless asserted that "none of them owns the landscape. There is a property...whose eye can integrate all the parts, that is, the poet".8 Emerson's distinction between materialistic ownership and imaginative appropriation of nature... | |
| Daniel G. Payne - 1996 - 204 páginas
...ecological awareness in his essays, as even a quick survey of the first few pages of Nature reveals: There is a property in the horizon which no man has...eye can integrate all the parts, that is, the poet. The lover of nature is he whose inward and outward senses are truly adjusted to each other; who has... | |
| David Pepper - 1996 - 388 páginas
...devil's spinning in all-day storms on mountains. (Muir 1898) Emerson evokes holism in his view that 'There is a property in the horizon which no man has but he whose eye can integrate all the parts, the poet.' We note that the integrator is the poet - the artist - not the scientific systems ecologist.... | |
| Owen Goldin, Patricia Kilroe - 1997 - 276 páginas
...indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape....farms, yet to this their warranty-deeds give no title. ... In the woods, is perpetual youth. Within these plantations of God, a decorum and sanctity reign,... | |
| Anita Haya Patterson - 1997 - 268 páginas
...indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape....farms, yet to this their warranty-deeds give no title. (Essays, 9) The passage is striking if we credit Emerson as being aware of Locke's various definitions... | |
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