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" Though oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line: While they ring round the same unvaried chimes With sure returns of still expected rhymes: Where'er you find "the cooling... "
Aids to English Composition, Prepared for Students of All Grades: Embracing ... - Página 105
por Richard Green Parker - 1845 - 429 páginas
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Handbuch der englischen sprache und literature, Volume 1

H. Nolte - 1823 - 646 páginas
...These equal syllable« alone require, Tho' oft the ear the open vowels tire, While expletive» (heir feeble aid do join, And ten low words oft creep in one dull line *}. But this manner, which, it must be owned, hath a very goc effect in enlivening the expression,...
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The Speaker: Or Miscellaneous Pieces, Selected from the Best English Writers ...

William Enfield - 1823 - 412 páginas
...sleep ;-' Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless alexandrine ends the song, That, like a wounded snake, drags it's slow length along. Leave such to tune their own dull rhimes, and know What's roundly smooth, or...
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Mountaineering Literature

Jill Neate - 1986 - 300 páginas
...constant repetition for effect is self-defeating, as witness Alexander Pope in his Essay On Criticism: 'While expletives their feeble aid do join, And ten low words oft creep in one dull line.' Authors would do well to bear this in mind before committing themselves to paper. After all, that most...
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Melodious Guile: Fictive Pattern in Poetic Language

John Hollander - 1990 - 280 páginas
...famous passage from An Essay on Criticism quoted earlier, heaps his scorn on such concluding devices: "A needless Alexandrine ends the Song, / That like a wounded Snake, drags its slow length along," brilliantly slowing up his own line with the "slow length." It is interesting to observe that, less...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 páginas
...streams 'with pleasing murmurs creep': The reader's threaten'd (not in vain) with 'sleep.' (Fr. II) 43 ages hence Shall this our lofty scene be acted over In states unborn and accents yet unknown! (Fr. II) 44 True ease in writing comes from art, not chance, As those move easiest who have learn'd...
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The Cambridge Paperback Guide to Literature in English

Ian Ousby - 1996 - 452 páginas
...alexandrine, and Pope vividly demonstrated the reasons for its relative unpopularity among English poets: 'A needless Alexandrine ends the song/ That like a wounded snake drags its slow length along'. The monometer (onefoot line) is rare, like the heptameter (seven-foot line), also called a 'fourteener'...
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Poetic Designs: An Introduction to Meters, Verse Forms, and Figures of Speech

Stephen Adams - 1997 - 260 páginas
...but the music there. These equal syllables alone require, Tho' oft the ear the open vowels tire; 345 While expletives their feeble aid do join; And ten low words oft creep in one dull line; While they ring round the same unvary'd chimes i - r TT With sure returns of still expected rhymes....
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Rules for the Dance: A Handbook for Writing and Reading Metrical Verse

Mary Oliver - 1998 - 212 páginas
...to church repair, Not for the doctrine but the music there. Though oft the ear the open vowels tire, While expletives their feeble aid do join, And ten low words oft creep in one dull line, While they ring round the same unvaried chimes, With sure returns of still expected rhymes. Where'er...
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The Wordsworth Dictionary of Quotations

Connie Robertson - 1998 - 686 páginas
...to advantage dressed, What oft was thought but ne'er so well expressed. 8888 An Essay on Criticism jug, tereu, 8889 An Essay on Man Awake, my St John! leave all meaner things To low ambition, and the pride of kings....
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Selected Poetry

Alexander Pope - 1998 - 260 páginas
...but the music there. J These equal syllables alone require, Though oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line; While they ring round the same unvaried chimes, With sure returns of still expected rhymes. Where-e'er...
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