| Travis Adkins - 2006 - 286 páginas
...lean and slippered pantaloon, With spectacles on nose and pouch on side. His youthful hose well saved, a world too wide For his shrunk shank: and his big...whistles in his sound. Last scene of all. That ends this strange eventful history. Is second childishness, and mere oblivion. Sans teeth, sans eyes, sans taste,... | |
| Jeremy Harvey - 2006 - 160 páginas
...and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide, For his shrunk shank, and his big...whistles in his sound; last Scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
| Nichol D. Smith - 2006 - 396 páginas
[ O conteúdo desta página está restrito ] | |
| Thomas Szasz - 2011 - 170 páginas
[ O conteúdo desta página está restrito ] | |
| Merry E. Wiesner - 2006 - 522 páginas
...good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into...on nose and pouch on side, His youthful hose, well sav'da world too wide For his shrunk shank; and his big manly voice. Turning again toward childish... | |
| Harry Blatterer - 2007 - 166 páginas
[ O conteúdo desta página está restrito ] | |
| Kathleen Gould Lundy - 2007 - 130 páginas
...good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances And so he plays his part. The sixth age shifts Into...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
| Harry Blatterer - 2007 - 166 páginas
...good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into...sav'd, a world too wide For his shrunk shank; and his hig manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene... | |
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