...scribal or compositorial interference. At 3.1.87-9 Hibbard reads: 'And enterprises of great pith and moment / With this regard their currents turn away / And lose the name of action'. Jenkins believed, rightly in my opinion, that F'S 'pith' and 'away' were both corruptions of Q2*s 'pitch'...

...hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn away, And lose the name of action. (Hamlet III, i56.) In dealing with the known quantity of the status quo, this sort of fret need not...

...hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn away, And lose the name of action. (Hamlet, HI.i.64-77, 86-96) The resistance that drags Hamlet back from the precipice is not just the...

...hue of resolutions Is sicklied o'er with the pale cast of thought And enterprises of great pith and moment, With this regard their currents turn away And lose the name of action. His mood changes again and he feels himself ready to act at once. Now could I drink hot blood And do...

...hue of resolution h sicklied o'er with the pale cast of thought ; And enterprizes of great pith and moment, With this regard, their currents turn away, And lose the name of action. SELECT PASSAGES FROM DRAMATIC WRITERS, EXPRESSIVE OF THE PRINCIPAL EMOTIONS AND PASSIONS. JOY. THEN...

...hue of resolution Is fickly'd o'er with the pale caft of thought; And enterprizes of great pith and moment. With this regard, their currents turn away, And lose the name of aftion. Soft you now; The fair Ophelia: Nymph, in thy orisons Be all my fins remember'd. OPH. Good...