 So that it comes back very quickly, as I have said, to the liking: in spite of M. Zola, who reasons less powerfully than he represents, and who will not reconcile himself to this absoluteness of taste, thinking that there are certain things that people...  Partial Portraits - Página 320por Henry James - 1888 - 408 páginasVisualização integral - Acerca deste livro
 | Walter Besant - 1885 - 106 páginas
...This closeness of relation is what we should never forget in talking of the effort of the novel. Alany people speak of it as a factitious, artificial form,...the art to an eternal repetition of a few familiar clic/tes, cuts short its development, and leads us straight up to a dead wall. Catching the . very... | |
 | William Tenney Brewster - 1907 - 424 páginas
...interminable confusions and cross-purposes. We must grant the artist his subject, his idea, his donnee: our criticism is applied only to what he makes of...the art to an eternal repetition of a few familiar cliches,1 cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | William Tenney Brewster - 1907 - 424 páginas
...mention this to guard myself from the accusation of intimating that the idea, the subject, of a hovel or a picture, does not matter. It matters, to my sense,...the art to an eternal repetition of a few familiar cliches, 1 cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | Rollo Walter Brown - 1921 - 384 páginas
...interminable confusions and cross-purposes. We must grant the artist his subject, his idea, his donnee: our criticism is applied only to what he makes of...the art to an eternal repetition of a few familiar cliches, cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | Rollo Walter Brown - 1921 - 386 páginas
...it; it is a contribution to our knowledge of what can be done — or what cannot. Ivan TurgenieflFhas written a tale about a deaf and dumb serf and a lap-dog,...the art to an eternal repetition of a few familiar cliches, cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | William Tenney Brewster - 1922 - 426 páginas
...will feel the artjjiat is most closely related to it. This closeness of relation is what we"should never forget in talking of the effort of the novel....the art to an eternal repetition of a few familiar cliches,1 cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | William Tenney Brewster - 1925 - 424 páginas
...I needn't remind you that there are all sorts of tastes : who can know it better ? Some people, foi excellent reasons, don't like to read about carpenters;...the art to an eternal repetition of a few familiar cliches1 cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 páginas
...measure you. I have the standard, the pitch; I have no right to tamper with your flute and then criticize your music. Of course I may not care for your idea...us, to translate them into conventional, traditional molds. This, however, is a view of the matter which carries us but a very short way, condemns the art... | |
 | Edwin M. Eigner, George J. Worth - 1985 - 268 páginas
...related to it. This closeness of relation is what we should never forget in talking of the effort of a novel. Many people speak of it as a factitious, artificial...the art to an eternal repetition of a few familiar clichts, cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
 | Henry James - 1986 - 524 páginas
...interminable confusions and cross-purposes. We must grant the artist his subject, his idea, his donnee: our criticism is applied only to what he makes of...the art to an eternal repetition of a few familiar cliches, cuts short its development, and leads us straight up to a dead wall. Catching the very note... | |
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