Form and Fable in American FictionUniversity of Virginia Press, 1994 - 368 páginas Combining the disciplines of folklore and literary criticism in his perceptive readings of works by Irving, Hawthorne, Melville, and Mark Twain, Daniel Hoffman demonstrates how these authors transformed materials from both high and popular culture, from their European past and their American present, in works that helped to form our national consciousness. In his new preface, Hoffman describes the evolution of his critical method and suggests the book's value for contemporary readers. |
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Ahab Ahab's allegory American appears artistic belief Black Blithedale Blithedale Romance Brom century chapter character Christian comic conception Confidence-Man Cotton Mather Coverdale Coverdale's critics Crockett Davy Crockett death Devil divine Dorson dream England evil fable Faith father fiction folklore forest frontier frontiersman guilt Hawthorne Hawthorne's hero Hester Holgrave Huck Huck's Huckleberry Finn human humor Ichabod identity imagination Indian Irving Irving's Ishmael Jim's Jonah knowledge Legend literary literature living lore magic man's Mark Twain masquerade Maule Maypole Melville Melville's Merry Mount metaphor Moby Dick Moby-Dick moral myth mythic Narratives native nature novel original pagan pattern peddler popular culture Puritan Pyncheon Queequeg reality ritual role romance Salem says Scarlet Letter seems sense sexual sketch Sleepy Hollow society soul spirit story supernatural superstition symbolic tale tells themes tion tradition true truth unfallen village witchcraft witches writings Yankee York Young Goodman Brown