Opening Acts: Performance in/as Communication and Cultural StudiesJudith Hamera SAGE Publications, 08/07/2005 - 288 páginas Opening Acts provides new, rigorous ways to analyze communication and culture through performance. It offers cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. Key Features:
Opening Acts works across the divisions of communication and cultural studies, including elements of interpersonal, organizational, and rhetorical communication, feminism, critical pedagogy, ethnography, and visual studies. |
Índice
1 | |
Engaging the Everyday | 11 |
1 Becoming OtherWise | 23 |
2 Telling Twisted Tales | 49 |
Animating Locations | 75 |
Introduction | 76 |
3 Bridging Haunted Places | 81 |
4 Looking for Stonewalls Arm | 102 |
6 Diverging Paths in Performance Genealogies | 163 |
Synthesizing Scholarship | 195 |
Introduction | 196 |
7 The Mechanical Bride of YonvillelAbbaye Batteries Not Included | 199 |
Embracing Performances | 239 |
Introduction | 240 |
8 Performing TheoryEmbodied Writing | 243 |
About the Editor | 277 |
Interrogating Histories | 135 |
Introduction | 136 |
5 Rethinking Elocution | 141 |
About the Contributors | 279 |
Outras edições - Ver tudo
Opening Acts: Performance In/as Communication and Cultural Studies Judith A. Hamera,Judith Hamera Pré-visualização limitada - 2006 |
Opening Acts: Performance In/as Communication and Cultural Studies Judith Hamera Visualização de excertos - 2006 |
Opening Acts: Performance In/as Communication and Cultural Studies Judith Hamera Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
Bakhtin Barthes battlefield become body Bosnian bridge Certeau Civil com communication con Conquergood consciousness conversational micropractices critical Croat cul cultural studies Delphine Delamare Derrida deterritorialized dialogical Différance diorama dis discourse elocution elocutionary embodied Emma Emma’s engaged essay ethnographic experience fiction Flaubert Foucault Frantz Fanon genealogy hyphen identity interlocutors interpretation Jackson Jacques Derrida language lived look Louisiana Louisiana State University Madame Bovary material meaning memory metonymic Mostar narrative novel one’s orature Original work published participants per performance studies performance-based politics practice of everyday pro production relations remapping representation reproduce Roach Rural Life Museum salon Saussure Sebald semiotic sense signified signs slave social Sojourner Truth space speak speech story street tell theater theory things tion tour tourists Trans turns University Press utterance Vérard voice W. G. Sebald women words writing York