Art of the Twentieth Century: A ReaderJason Gaiger, Paul Wood Yale University Press, 11/03/2004 - 368 páginas This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance. |
Índice
Introduction | 3 |
iii Carola GiedionWelcker | 10 |
iv Robert Goldwater | 16 |
Meyer Schapiro | 22 |
Eugene Lunn | 31 |
Introduction | 55 |
Clement Greenberg | 89 |
Introduction | 109 |
Lucy Lippard | 189 |
Charles Harrison | 205 |
Introduction | 225 |
Griselda Pollock | 227 |
Craig Owens | 249 |
Briony Fer | 274 |
Introduction | 289 |
Rex Butler | 304 |
John Szarkowski | 132 |
Jeff Wall | 145 |
Subjects and Objects | 165 |
Okwui Enwezor | 319 |
Text Acknowledgements | 345 |
Palavras e frases frequentes
abstract art aesthetic Ana Mendieta Art & Language artists aspects attempt avant-garde avant-gardiste body art bourgeois Braque Breton Bürger canvas century Clement Greenberg collage color Conceptual Art conventions critical critique Cubism culture DACS discourse Donald Judd drawing Eccentric Abstraction edges effect Emily Kame Kngwarreye essay Eva Hesse example exhibition experience feminine feminism feminist formal historical Horta d'Ebro idea Judd Judd's Kelly's kind Kngwarreye Kngwarreye's Lippard London Martha Rosler meaning Mendieta modern art modernist movement Museum of Modern nature neo-avant-garde notion object-centred descriptions objects op.cit painter painting Photo photographs Picasso pictorial picture plane Plate political Pollock postmodernism practice primitive produced Queensland Art Gallery radical reality relation representation Rosler sculpture sense sexual shape significant social society space specific strategies structure studio surface Surrealism surrealist tactile theory things tion tradition University Press viewer vision visual Western women writing York