William Dean Howells: A Writer’s LifeUniversity of California Press, 01/05/2005 - 545 páginas Possibly the most influential figure in the history of American letters, William Dean Howells (1837-1920) was, among other things, a leading novelist in the realist tradition, a formative influence on many of America's finest writers, and an outspoken opponent of social injustice. This biography, the first comprehensive work on Howells in fifty years, enters the consciousness of the man and his times, revealing a complicated and painfully honest figure who came of age in an era of political corruption, industrial greed, and American imperialism. Written with verve and originality in a highly absorbing style, it brings alive for a new generation a literary and cultural pioneer who played a key role in creating the American artistic ethos. William Dean Howells traces the writer's life from his boyhood in Ohio before the Civil War, to his consularship in Italy under President Lincoln, to his rise as editor of Atlantic Monthly. It looks at his writing, which included novels, poems, plays, children's books, and criticism. Howells had many powerful friendships among the literati of his day; and here we find an especially rich examination of the relationship between Howells and Mark Twain. Howells was, as Twain called him, "the boss" of literary critics—his support almost single-handedly made the careers of many writers, including African Americans like Paul Dunbar and women like Sarah Orne Jewett. Showcasing many noteworthy personalities—Henry James, Edmund Gosse, H. G. Wells, Stephen Crane, Emily Dickinson, and many others—William Dean Howells portrays a man who stood at the center of American literature through the late nineteenth and early twentieth centuries. |
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Página xvi
... never seen such a difference between the real man & the artificial. Compare this one with the imposter which he works into book-advertisements. They say, Notice this smile; observe this benignity; God be with you Dear People, come to ...
... never seen such a difference between the real man & the artificial. Compare this one with the imposter which he works into book-advertisements. They say, Notice this smile; observe this benignity; God be with you Dear People, come to ...
Página 6
... never - ending chores — cut cordwood with a small , unsharpened saw and split it with a five - pound ax before dragging it uphill to their cabin . Like so many of their neighbors , the family lived hand to mouth , mostly on what they ...
... never - ending chores — cut cordwood with a small , unsharpened saw and split it with a five - pound ax before dragging it uphill to their cabin . Like so many of their neighbors , the family lived hand to mouth , mostly on what they ...
Página 8
... never had capital—he tried to build his own press and fashioned balls of buckskin stuffed with wool for inking the type. In December 1828 he published his first issue of The Gleaner, “a monthly periodical devoted to literature and ...
... never had capital—he tried to build his own press and fashioned balls of buckskin stuffed with wool for inking the type. In December 1828 he published his first issue of The Gleaner, “a monthly periodical devoted to literature and ...
Página 16
... (never-realized) profits. William might have found a working model in a local agency like the Ashtabula County Western Emigrant Asso- ciation, except that well-planned communities foundered as often as the unplanned. Originally, the ...
... (never-realized) profits. William might have found a working model in a local agency like the Ashtabula County Western Emigrant Asso- ciation, except that well-planned communities foundered as often as the unplanned. Originally, the ...
Página 20
... never forgot the summer's evening when he first heard his father speak of Don Quixote. As William told about Sancho and Dulcinea, about Cervantes' own enslave- ment in Algiers and his loss of a hand in battle, Will felt the walls of the ...
... never forgot the summer's evening when he first heard his father speak of Don Quixote. As William told about Sancho and Dulcinea, about Cervantes' own enslave- ment in Algiers and his loss of a hand in battle, Will felt the walls of the ...
Índice
1 | |
19 | |
3 Years of Decision 18591861 | 43 |
4 Consul at Venice 18611865 | 72 |
18651867 | 100 |
18671871 | 125 |
7 His Mark Twain from 1869 | 148 |
8 Fictional Lives 18711878 | 174 |
13 Words and Deeds 18901894 | 301 |
14 Peripatetic 18951899 | 329 |
15 Kittery Point 19001905 | 356 |
16 Greater Losses 19061910 | 381 |
17 Reconsiderations 19111917 | 405 |
18 Eighty Years and After 1918 1920 | 428 |
List of Abbreviations | 435 |
Notes | 437 |
9 From Venice as Far as Belmont 18781882 | 199 |
10 In England and Italy 18821883 | 222 |
11 The Man of Business 18831886 | 248 |
12 Heartache and Horror 18861890 | 275 |
Index | 499 |
Index of Howells Works | 517 |
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Palavras e frases frequentes
Acquaintance American Anesko Annie April Atlantic Monthly August Aurelia H Belmont Boston Bret Harte called Cambridge Charles Eliot Norton Columbus critic daughter December editor Edmund Gosse Elinor ells England father felt fiction George Hamlin Garland Harper & Brothers Harper's Harper's Monthly Harvard Hayes Henry James Houghton Howells told Howells wrote Howellses Italy James Russell Lowell Jefferson John June Kittery Point knew later Library literary Literary Realism literature live Longfellow looked Lowell magazine March Mark Twain Mead Mildred never NOTES TO PAGES novel novelist November October Ohio Osgood poems political published readers seemed Silas Lapham social story summer thought Twain-Howells Letters University Press Venetian Venice W. D. Howells wanted WDH to Aurelia WDH to Charles WDH to Henry WDH to Mark WDH to William wife William Dean Howells Winny write York young