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altar ancient antique appearance arches bear beauty Bishop building called Cardinal centuries Chapel character Christian Church closed columns contained course covered Cross crowded death devoted distance early earth entered entirely erected existence expression eyes faith feel feet gathered give hand head heard Hill holy hour hundred inscription interest Italian Italy land light living lofty look Lord magnificent marble massive mighty mind monument morning nature never night noble object once paintings palace Papal passed Peter's picture Pope present priest reach received remains rich Roman Rome round ruins scene seems seen side spirit stands statues steps stood strange tells temple thing thought thousand tion tomb tower trees turned Vatican walked walls waters whole worship young
Página 34 - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony, And his droop'd head sinks gradually low — And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him — he is gone, Ere ceased the inhuman shout which hail'd the wretch who won.
Página 111 - Midst the chief relics of almighty Rome; The trees which grew along the broken arches Waved dark in the blue midnight, and the stars Shone through the rents of ruin ; from afar The watch-dog bayed beyond the Tiber : and, More near, from out the Caesars...
Página 20 - But thou, of temples old, or altars new, Standest alone — with nothing like to thee — Worthiest of God, the holy and the true. Since Zion's desolation, when that He Forsook His former city, what could be, Of earthly structures, in His honour piled, Of a sublimer aspect? Majesty, Power, Glory, Strength, and Beauty, all are aisled In this eternal ark of worship undefiled.
Página 71 - Simple, erect, severe, austere, sublime — Shrine of all saints and temple of all gods, From Jove to Jesus — spared and blest by time; Looking tranquillity, while falls or nods Arch, empire, each thing round thee, and man plods His way through thorns to ashes — glorious dome ! Shalt thou not last? Time's scythe and tyrants...
Página 203 - The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.
Página 180 - A light is pass'd from the revolving year, And man, and woman ; and what still is dear Attracts to crush, repels to make thee wither. The soft sky smiles, — the low wind whispers near : "Tis Adonais calls ! oh, hasten thither, No more let Life divide what Death can join together.
Página 181 - Miserable man! you, one of the meanest, have wantonly defaced one of the noblest specimens of the workmanship of God. Nor shall it be your excuse, that, murderer as you are, you have spoken daggers, but used none.
Página 156 - There is a stern round tower of other days, ^ Firm as a fortress, with its fence of stone, Such as an army's baffled strength delays, Standing with half its battlements alone, And with two thousand years...
Página 53 - All radiant from his triumph in the fight ; The shaft hath just been shot — the arrow bright With an immortal's vengeance : in his eye And nostril beautiful disdain, and might And majesty, flash their full lightnings by, Developing in that one glance the Deity.
White Silence; Greenough, Powers, and Crawford, American Sculptors in ...
Sylvia E. Crane
Visualização de excertos - 1972