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" We possess in England the most precious examples of Grecian power in the sculpture of animals. The horses of the frieze in the Elgin Collection appear to live and move, to roll their eyes, to gallop, prance, and curvet... "
Hellas, Her Monuments and Scenery - Página 130
por Thomas Chase - 1863 - 220 páginas
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Lectures on Sculpture

John Flaxman - 1829 - 466 páginas
...examples of Grecian power in the sculpture of animals. The horses of the frieze in the Elgin collection appear to live and move, to roll their eyes, to gallop, prance, and curvet; the veins of their faces and legs seem distended with circulation ; in them are distinguished the hardness...
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The Lives of the Most Eminent British Painters and Sculptors, Volume 3

Allan Cunningham - 1832 - 332 páginas
...England, the most precious examples of Grecian power. The horses of the frieze in the Elgin collection appear to live and move, to roll their eyes, to gallop, prance, and curvet — the veins of their faces and legs seem distended with circulation; in them are distinguished the...
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The Monthly Review

1830 - 652 páginas
[ O conteúdo desta página está restrito ]
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The Christian observer [afterw.] The Christian observer and advocate

1831 - 858 páginas
...England, the most precious examples of Grecian power. The horses of the frieze in the Elgin collection appear to live and move, to roll their eyes, to gallop, prance, and curvet— the veins of their faces and legs seem distended with circulation ; in them are distinguished the hardness...
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Elgin and Phigaleian Marbles, Volume 1

British Museum. Department of Greek and Roman Antiquities - 1833 - 340 páginas
...Grecian power in the sculpture of animals. "The horses in the frieze in the Elgin collection," he said, " appear to live and move, to roll their eyes, to gallop, prance, and curvet; the veins of their faces and lea's seem distended with circulation ; in them are distinguished the...
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The Saturday Magazine, Volume 16

1840 - 274 páginas
...there are one hundred and ten, and no two in the same attitude, Flaxman thus speaks : — • They appear to live and move, to roll their eyes, to gallop, prance, and curvet; the veins of their faces and legs seem distended with circulation; in them are distinguished the hardness...
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The Saturday Magazine, Volume 16

1840 - 272 páginas
...which there are one hundred and ten, and no two in the same attitude, Flaxman thus speaks:— ^ They appear to live and move, to roll their eyes, to gallop, prance, and curvet; the veins of their faces and legs seeia distended with circulation; in them are distinguished the hardness...
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The Antiquities and Marbles in the British Museum: Including the Townley ...

British Museum - 1848 - 576 páginas
...power in the sculpture of animals. " The horses in the Frieze in the Elgin Collection," he said, " appear to live and move, to roll their eyes, to gallop, prance, and curvet ; the veins of their faces and legs seem distended with circulation ; in them are distinguished the...
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Architecture

George Cleghorn - 1848 - 368 páginas
...rider in the most graceful and appropriate position. " The horses of the frieze of the Elgin collection appear to live and move — to roll their eyes — to gallop, prance, and curvet ; the veins of their faces and legs seem distended with circulation. In them are to be found the hardness...
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Ancient and modern art, historical and critical, by G.Cleghorn.2 vols, Volume 1

George Cleghorn (writer on art.) - 1848 - 366 páginas
...rider in the most graceful and appropriate position. " The horses of the frieze of the Elgin collection appear to live and move — to roll their eyes — to gallop, prance, and curvet ; the veins of their faces and legs seem distended with circulation. In them are to be found the hardness...
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