American Literary Essays1960 |
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Página 112
... emotion , because the mode is that of close description , and neither directly expressive nor enacting . Let us compare it , with achieved emotion in mind , with a deliberately " emotional " description taken from the chapter called ...
... emotion , because the mode is that of close description , and neither directly expressive nor enacting . Let us compare it , with achieved emotion in mind , with a deliberately " emotional " description taken from the chapter called ...
Página 202
... emotion whatever : com- posed out of feelings solely . Canto XV of the Inferno ( Brunetto Latini ) is a working up of the emotion evident in the situation ; but the effect , though single as that of any work of art , is obtained by ...
... emotion whatever : com- posed out of feelings solely . Canto XV of the Inferno ( Brunetto Latini ) is a working up of the emotion evident in the situation ; but the effect , though single as that of any work of art , is obtained by ...
Página 203
... emotion . Great variety is possible in the process of transmuta- tion of emotion : the murder of Agamem- non , or the agony of Othello , gives an artistic effect apparently closer to a pos- sible original than the scenes from Dante . In ...
... emotion . Great variety is possible in the process of transmuta- tion of emotion : the murder of Agamem- non , or the agony of Othello , gives an artistic effect apparently closer to a pos- sible original than the scenes from Dante . In ...
Índice
Introduction | 1 |
Oliver Wendell Holmes 18091894 | 5 |
Washington Irving 17831859 | 16 |
Direitos de autor | |
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Palavras e frases frequentes
Allen Tate Amer American appeared artist beauty become called character consciousness conventional Cooper criticism culture Deerslayer E. B. White effect Emerson Emily Dickinson emotion England English essay experience expression eyes fact feel fiction genius give Hawthorne Henry James human ican ideal ideas images imagination intellectual interest jazz John de Crèvecoeur Karl Shapiro kind language Leaves of Grass less literary literature live look Lowell Mark Twain matter means Melville ment mind Moby Dick moral nature ness never novel novelist Parrington passion perhaps Pierre poem poet poetic poetry political present prose R. P. Blackmur reader reality romance scholar seems sense social society soul speak spirit stand story T. S. Eliot tell theme things Thoreau thought tion tradition true truth ture verse Whitman whole words writing wrote