The Practical Book of ArchitectureLippincott, 1916 - 348 páginas |
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... entirely different in actual contents . Mr. Price divides his book into two major parts : a prac- tical guide to styles and a practical guide to building . The latter has to do with the kind of information useful to persons about to ...
... entirely different in actual contents . Mr. Price divides his book into two major parts : a prac- tical guide to styles and a practical guide to building . The latter has to do with the kind of information useful to persons about to ...
Página 12
... entirely independent of whether it be designed in the style of the Italian Renaissance or Modern French ; whether we are looking at a church or a theatre . It is an interesting circumstance that this country affords an opportunity to ...
... entirely independent of whether it be designed in the style of the Italian Renaissance or Modern French ; whether we are looking at a church or a theatre . It is an interesting circumstance that this country affords an opportunity to ...
Página 56
... Romanesque and Byzantine design , but by the immortal remains of ancient Rome itself . Many features , then , entirely strange to the Gothic ( The Palace of the Doges , Venice ) An 60 THE PRACTICAL BOOK OF ARCHITECTURE.
... Romanesque and Byzantine design , but by the immortal remains of ancient Rome itself . Many features , then , entirely strange to the Gothic ( The Palace of the Doges , Venice ) An 60 THE PRACTICAL BOOK OF ARCHITECTURE.
Página 70
... entirely decadent , and even artistically immoral , it will be found more valuable to place it as a distinct expression of a peculiar idea , and an undeniably inter- esting page in the sequence of the architectural styles of the past ...
... entirely decadent , and even artistically immoral , it will be found more valuable to place it as a distinct expression of a peculiar idea , and an undeniably inter- esting page in the sequence of the architectural styles of the past ...
Página 74
... entirely forgotten , in the vagaries of the Baroque and Rococo styles . In the latter part of the Eighteenth Century , a reaction from the extravagance of Baroque was inevi- table . And the reaction took the form of the Classic Revival ...
... entirely forgotten , in the vagaries of the Baroque and Rococo styles . In the latter part of the Eighteenth Century , a reaction from the extravagance of Baroque was inevi- table . And the reaction took the form of the Classic Revival ...
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actual adaptation American architecture AMERICAN COUNTRY HOUSE arch archi architect architectural styles Beaux Arts Beaux Arts architecture brick building materials built bungalow Byzantine Byzantine architecture called carved Cathedral chapter characteristic charming château church city house Classic Revival client Colonial colour columns consideration conspicuous construction contractor cost decorative detail door Doric Doric order drawings Dutch dwelling England English country house entirely essentially example exterior façade forms France furniture garden Georgian Gothic architecture Gothic style half-timber half-timber construction idea illustrations important influence inspiration interesting interior Italian Renaissance Italian villa Italy Jacobean Louis XVI Mead & White ment Modern American modern English monumental motifs mouldings natural painting patio pediment period picturesque porch prospective builder regarded Renaissance architecture rendering Roman Romanesque Romanesque architecture roof rooms Spanish stone structural stucco tects tectural terraces tile tion to-day Tudor tural types of building typical usually vaults wall York City