The Mask of Art: Breaking the Aesthetic Contract—Film and LiteratureIndiana University Press, 22/11/1998 - 343 páginas "In this critique of aesthetics and the politics of representation, Taylor demonstrates astonishing breadth and depth in arguing for 'breaking the aesthetic contract' that excludes anything that does not conform to Eurocentric notions of beauty. . . . it brings to black studies and cultural critique an internationalism that emphasizes the richness of forms of creative expression outside the norms set by European aesthetics. Highly recommended . . ." —Choice |
Índice
CHAPTER | 8 |
Figureground vasefaces per Rubin | 32 |
The Control of Cultural Meaning | 53 |
Direitos de autor | |
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The Mask of Art: Breaking the Aesthetic Contract—Film and Literature Clyde Taylor Pré-visualização limitada - 1998 |
The Mask of Art: Breaking the Aesthetic Contract--film and Literature Clyde Taylor Visualização de excertos - 1998 |
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Referências a este livro
Projecting Ethnicity and Race: An Annotated Bibliogaphy of Studies on ... Marsha J. Hamilton,Eleanor S. Block Pré-visualização indisponível - 2003 |
Reevaluating the Pan-Africanism of W.E.B. Du Bois and Marcus Garvey ... James L. Conyers Visualização de excertos - 2005 |