Explaining Creativity: The Science of Human InnovationOxford University Press, 19/01/2006 - 368 páginas Explaining Creativity is an accessible introduction to the latest scientific research on creativity. In the last 50 yearss, psychologists, anthropologists, and sociologists have increasingly studied creativity, and we now know more about creativity that at any point in history. Explaining Creativity considers not only arts like painting and writing, but also science, stage performance, and business innovation. Until about a decade ago, creativity researchers tended to focus on highly valued activities like fine art painting and Nobel prize winning science. Sawyer brings this research up to date by including movies, music videos, cartoons, videogames, hypertext fiction, and computer technology. For example, this is the first book on creativity to include studies of performance and improvisation. Sawyer draws on the latest research findings to show the importance of collaboration and context in all of these creative activities. Today's science of creativity is interdisciplinary; in addition to psychological studies of creativity, Explaining Creativity includes research by anthropologists on creativity in non-Western cultures, and research by sociologists about the situations, contexts, and networks of creative activity. Explaining Creativity brings these approaches together within the sociocultural approach to creativity pioneered by Howard Becker, Mihaly Csikszentmihalyi and Howard Gardner. The sociocultural approach moves beyond the individual to consider the social and cultural contexts of creativity, emphasizing the role of collaboration and context in the creative process. |
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Página 3
... believe are more fundamental mental properties—memory, logical reasoning, and attention. But in recent years psychologists—along with increasing numbers of sociologists, anthropologists, musicologists, theater experts, and art critics ...
... believe are more fundamental mental properties—memory, logical reasoning, and attention. But in recent years psychologists—along with increasing numbers of sociologists, anthropologists, musicologists, theater experts, and art critics ...
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... believe that creativity is critical to the survival of their organization. Explaining creativity can help us all to be betterproblem solvers. We each face problems in our everyday lives that require creative responses. Our society faces ...
... believe that creativity is critical to the survival of their organization. Explaining creativity can help us all to be betterproblem solvers. We each face problems in our everyday lives that require creative responses. Our society faces ...
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... believe is the historical equivalent to prior bursts of creativity in European symphonic music. In the 1970s, the New Hollywood era in film was a major creative break in movie production. In the 1980s, the advent of MTV and its music ...
... believe is the historical equivalent to prior bursts of creativity in European symphonic music. In the 1970s, the New Hollywood era in film was a major creative break in movie production. In the 1980s, the advent of MTV and its music ...
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... believe he's creative. People typically use “creativity” as a complimentary term of praise. It turns out that what gets called creative has varied according to the historical and cultural period (Sass, 2000–2001, p. 57). Psychologists ...
... believe he's creative. People typically use “creativity” as a complimentary term of praise. It turns out that what gets called creative has varied according to the historical and cultural period (Sass, 2000–2001, p. 57). Psychologists ...
Página 12
... believe that artworks should be signed by their creators; knowing who created a work is important to us. Art buyers seek out the best artists and buy their works. Ifyou're one ofthe famous artists, your work will be collected by major ...
... believe that artworks should be signed by their creators; knowing who created a work is important to us. Art buyers seek out the best artists and buy their works. Ifyou're one ofthe famous artists, your work will be collected by major ...
Índice
37 | |
Contextualist Approaches | 115 |
Artistic Creativity | 175 |
Everyday Creativity | 261 |
Epilogue | 315 |
References | 319 |
Index | 347 |
Outras edições - Ver tudo
Explaining Creativity: The Science of Human Innovation R. Keith Sawyer Pré-visualização limitada - 2006 |
Explaining Creativity: The Science of Human Innovation R. Keith Sawyer Pré-visualização limitada - 2011 |
Explaining Creativity: The Science of Human Innovation R. Keith Sawyer Pré-visualização limitada - 2012 |
Palavras e frases frequentes
19th century actors argued art world Artificial creators artists associated ativity audience began believe brain can’t career chapter cognitive collaborative complex composed conceptions of creativity conventions convergent thinking created creative domain creative process creative products creativity myths creativity requires creativity research Csikszentmihalyi culture culture’s developed divergent thinking doesn’t electronica emerge emphasize evaluation everyday example experience explain creativity explanation of creativity field Figure focus genius genres hard historical historiometric human idea important improvisation incubation individual innovation inspiration installation art jazz learned mental illness mini-insights modern musicians novel ofthe Organ original outsider art Pablo Picasso painters painting performance personality psychology Picasso play problem problem-finding psychologists result role Sawyer scientific scientists script selection Simonton social society sociocultural approach song stage story studies of creativity style theater theory there’s they’re thought Thought Experiments tion unique Wham-O writing Xerox PARC