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The Gap in Shakespeare: The Motif of Division from "Richard II" to "The Tempest"
Colin Nicholas Manlove
Visualização de excertos - 1981
action Antony appear asks attempt become begins behaviour body brother Cassio cause central characters Cleopatra comes concerned continually Cordelia Coriolanus course Cressida death deed described Desdemona disguised divided division evil expression fact father fear feel finally force further give given Gloucester goes Hamlet hand hath hear human Iago imagination jealousy keep Kent killing kind king later Lear Lear's leave Leontes less lines Macbeth marriage means Measure mental mind moral motive move murder nature never Olivia once opposites Othello physical play political portrayed present Press question reality reason refusal relation relationship Richard Rome says scene seems seen sense Shakespeare simply soliloquy speak speech spiritual suggests tells theme things thou thought throughout Timon Tragedies Troilus true truth turn University vision whole wife wish