Twelfth NightApplause, 2001 - 161 páginas (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Palavras e frases frequentes
actor answer Antonio attention audience bearbaiting box tree CAPTAIN Cesario character CLOWN Sings comedy comic contrast cross-gartered CURIO dance dear devil disguise Dorothy Tutin drink DUKE Ellen Terry Enter MARIA Enter SIR TOBY Exeunt Exit eyes FABIAN fantasies fear feelings Feste Feste's folly gentleman give Globe Theatre hand hath heart Henry Irving hold Illyria is't John Russell Brown Julia Marlowe knight lady laugh laughter Laurence Olivier letter look lord madam madonna Marry master melancholy mistress mock mood niece offstage OLIVIA Orsino pause peace Peggy Ashcroft performance perhaps play pray prithee probably reply rhythms scene Sebastian servant silent SIR ANDREW Sir Toby Belch Sir Toby's Sir Topas smile song soul speak speech spoken suggests swear sweet sword tell thee there's thou art thoughts Twelfth Night verse-line VIOLA words yellow stockings youth
Referências a este livro
Renaissance Drama and Contemporary Literary Theory, Volume 1 Andy Mousley Pré-visualização indisponível - 2000 |