Theatre Magazine, Volume 33W. J. Thorold, Arthur Hornblow, Arthur Hornblow (Jr.), Perriton Maxwell, Stewart Beach Theatre Magazine Company, 1921 |
Outras edições - Ver tudo
Theatre Magazine, Volume 12 W. J. Thorold,Arthur Hornblow,Arthur Hornblow (Jr.),Perriton Maxwell,Stewart Beach Visualização integral - 1910 |
Theatre Magazine, Volumes 47-48 W. J. Thorold,Arthur Hornblow,Arthur Hornblow (Jr.),Perriton Maxwell,Stewart Beach Visualização integral - 1928 |
Theatre Magazine, Volume 35 W. J. Thorold,Arthur Hornblow,Perriton Maxwell,Stewart Beach Visualização integral - 1922 |
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Página 140 - Film is the basis of tartar. It holds food substance which ferments and forms acid. It holds the acid in contact with the teeth to cause decay. Germs breed by millions in it. They, with tartar, are the chief cause of pyorrhea.
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Página 64 - ... has a more subtle nature than any other actress, and that she expresses her nature more simply. All her acting seems to come from a great depth, and to be only half telling profound secrets. No play has ever been profound enough, and simple enough, for this woman to say everything she has to say in it. When she has thrilled one, or made one weep, or exalted one with beauty, she seems to be always holding back something else. Her supreme distinction comes from the kind of melancholy wisdom which...
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Página 64 - The reason why Duse is the greatest actress in the world is that she has a more subtle nature than any other actress, and that she expresses her nature more simply. All her acting seems to come from a great depth, and to be only half telling profound secrets. No play has ever been profound enough, and simple enough, for this woman to say everything she has to say in it. When she has thrilled one, or made one weep, or exalted one with beauty, she seems to be always holding back something else.
Página 307 - Previous histories have treated of certain localties or of limited periods. This important work of over 700 pages presents a continuous narrative, following as closely as possible the chronological order, showing how the drama first took root in North America, how the players, though regarded as little better than social outcasts, slowly overcame puritanical intolerance, and a chain of theatres was gradually built first along the Atlantic seaboard and then through the great though sparsely settled...