Nineteenth-Century French Song: Fauré, Chausson, Duparc, and Debussy"I am immensely impressed by the scholarship and painstakingly detailed analysis." —George Jellinek Song by song, this comprehensive study addresses the works of Fauré, Chausson, Duparc, and Debussy, four composers who brought to the magnificent poetry of their contemporaries the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914. |
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Índice
La Chanson du pêcheur | 1 |
Seule | 7 |
Amour dantan | 8 |
Chant dautomne | 14 |
Aubade | 20 |
Hymne | 27 |
Icibas | 34 |
Soupir | 35 |
Ernest Chausson | 178 |
Ariettes oubliées | 307 |
Deux Romances | 322 |
La Mer est plus belle | 330 |
Fêtes galantes I | 337 |
Chansons de Bilitis | 355 |
Fêtes galantes 11 | 363 |
Trois chansons de France | 370 |
Pòeme dun jour | 41 |
Notre amour | 47 |
Nuit détoiles | 75 |
vi | 137 |
Le Promenoir des deux amants | 376 |
Trois Chansons de Mallarmé 1913 | 389 |
400 | |
Palavras e frases frequentes
accompaniment âme amour bars bass beautiful becomes begins belle brings C'est cadence Chanson charming chord chromatic close coeur composer continues creates crescendo dans Debussy descending dominant dream dynamic effect eighth enters expression eyes fall Fauré feeling figure final fleur flowers forte four gentle gives half hand harmonic heard heart high voice interval introduction last line leads light lune major major chord measure melodic line melody minor mode mood motion moves night nuit octave once opening OPUS pattern Paul Verlaine phrase piano piece poem poet repeated rest rêve rhyme rhythmic rise roses scale seems sense setting simple sing singer song soul sound sous stanza strong sweet syllable tempo third tonality tonic tout vague verse vocal line voice words yeux
Referências a este livro
Von der Minne zum Kommerz: eine Geschichte des französischen Chansons bis ... Dietmar Rieger Pré-visualização limitada |
Singing in Style: A Guide to Vocal Performance Practices Martha Elliott Pré-visualização limitada - 2006 |