Hollywood Renaissance: The Cinema of Democracy in the Era of Ford, Kapra, and Kazan
In this lively and original book, Sam Girgus offers a fresh look at films such as The Searchers, Mr. Smith Goes to Washington, It's a Wonderful Life, High Noon, and On the Waterfront and shows how they are part of the cultural and historic debate that examines, structures, and questions what modern America means to its people, the world, and history.
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John Ford and the Crisis
From Ford to Hawks
Elia Kazans Long Journey Home
George Stevens and the American Idea
Film and America after the Hollywood
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achieve action aesthetic American authority becomes beginning belief body Capra character cinema classic Clift complexity concerns consensus construction continues create critics culture death democracy democratic desire direction directors discussion Dunson emotional emphasizes Ethan experience expression face failure feelings figure film film's forces Ford Ford's frame gender George George's Hawks hero High Noon Hollywood Hollywood Renaissance idea ideals identity ideology important Indian individual involves John Kazan kind look male Mary masculinity meaning moral narrative notes opening Paine played political position Press psychological Puritan reality relates relationship remains Renaissance renewal represent River role Saunders says scene Searchers seems Senate sense sexual shot Smith social society Stevens Stewart story structure suggests takes tension Terry tion transformation turns University values vision visual Warner Bros Wayne Wayne's woman women Wonderful writes York
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From Antz To Titanic: Reinventing Film Analysis
Martin Barker,Professor of Film and Television Studies Martin Barker,Thomas Austin
Visualização de excertos - 2000