 Burke than he is to her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that...  Yesterday and To-day - Página 230por Cyrus Redding - 1863Visualização integral - Acerca deste livro
 | Thomas Paine - 1826 - 482 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself, he degenerates into a...genuine soul of nature forsakes him. His hero or his heroime must be a tragedy victim, expiring, in show, and not the real prisoner of misery, sliiling... | |
 | Thomas Paine - 1826 - 470 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself, he degenerates into a...genuine soul of nature forsakes him. His hero or his heroime must be a tragedy rictim, expiring, in show, and not, the real prisoner of misery, sliding... | |
 | John Fellows - 1835 - 432 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself; he degenerates into a...nature forsakes him. His hero or his heroine must be a tragidy-vietem, expiring in show, and not the real prisoner of misery, sliding into death in the silence... | |
 | Thomas Paine - 1835 - 522 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself, he degenerates into a...nature forsakes him. His hero or his heroine must be a tragedy-victim, expiring in show, and not the real prisoner of misery, sliding into death In the silence... | |
 | John Fellows - 1835 - 430 páginas
...plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath pnrloined him from himself, he degenerates into a composition...nature forsakes him. His hero or his heroine must be a tragidy-victem, expiring in show, and not the real prisoner of misery, sliding into death in the silence... | |
 | Gilbert Vale - 1841 - 242 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratic hand that hath purloined him from himself, he degenerates into a...must be a tragedy victim expiring in show, and not the real prisoner of misery sliding into death in the silence of a dungeon.' Mr. Paine reasons very... | |
 | Robert Aspland - 1842 - 846 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that ham purloined him from himself, he degenerates into a...nature forsakes him. His hero or his heroine must be a tragedy-victim expiring in show, and not the real prisoner of misery, sliding into death in the hilence... | |
 | Charles MacFarlane - 1844 - 684 páginas
...plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purHoned him from himself, he degenerates into a composition...him. His hero or his heroine must be a tragedy victim * Mackintosh made use of the same argument in his Vindicia Qallicn, and was properly reprehended for... | |
 | Douglas Jerrold - 1846 - 606 páginas
...pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself, he degenerates into a...nature forsakes him. His hero or his heroine must be a tragedyvictim expiring in show, and not the real prisoner of misery, sliding into death in the silence... | |
 | Douglas Jerrold - 1846 - 598 páginas
...pities the plumage,- but forgets the dying bird. Aecustomed to kiss the aristoeratic;i 1 hand that hath purloined him from himself, he degenerates into a...nature forsakes him. His hero or his heroine must be a tragedyvictim expiring in show, and not the real prisoner of misery, slidiag into death in the silence... | |
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