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that beauty is the most lovely of all things, exciting hilarity, and shedding desire and confidence through the universe, wherever it enters; and it enters, in some degree, into all things but that there is another, which is as much more beautiful than beauty, as beauty is than chaos; namely, wisdom, which our wonderful organ of sight cannot reach unto, but which, could it be seen, would ravish us with its perfect reality. He has the same regard to it as the source of excellence in works of art. "When an artificer, in the fabrication of any work, looks to that which always subsists according to the same; and, employing a model of this kind, expresses its idea and power in his work; it must follow, that his production should be beautiful. But when he beholds that which is born and dies, it will be far from beautiful.”

Thus ever: the Banquet is a teaching in the same spirit, familiar now to all the poetry, and to all the sermons of the world, that the love of the sexes is initial; and symbolizes, at a distance, the passion of the soul for that immense lake of beauty it exists to seek. This faith in the Divinity is never out of mind, and constitutes the ground of all his dogmas. Body cannot teach wisdom; God only. In the same mind, he constantly affirms that virtue cannot be taught; that it is not a science, but an inspiration; that the greatest goods are produced to us through mania, and are assigned to us by a divine gift.

This leads me to that central figure, which he has established in his Academy, as the organ through which every considered opinion shall be announced, and whose biography he has likewise so labored, that the historic facts are lost in the light of Plato's mind. Socrates and Plato are the double star, which the most powerful instruments will not entirely separate. Socrates, again, in his traits and genius, is the best example of that synthesis which constitutes Plato's extraordinary power. Socrates, a man of humble stem, but honest enough; of the commonest history; of a personal homeliness so remarkable, as to be a cause of wit in others, the rather that his broad good-nature and exquisite taste for a joke invited the sally, which was sure to be paid. The players personated him on the stage; the potters copied his ugly face on their stone jugs. He was a cool fellow, adding to his humor a perfect temper, and a knowledge of his man, be he who he might whom he talked with, which laid the companion open to certain defeat in any debate, - and in debate he im

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moderately delighted. The young men are prodigiously fond of him, and invite him to their feasts, whither he goes for conversation. He can drink, too; has the strongest head in Athens; and, after leaving the whole party under the table, goes away, as if nothing had happened, to begin new dialogues with somebody that is sober. In short, he was what

our country-people call an old one.

He affected a good many citizen-like tastes, was monstrously fond of Athens, hated trees, never willingly went beyond the walls, knew the old characters, valued the bores and philistines, thought everything in Athens a little better than anything in any other place. He was plain as a Quaker in habit and speech, affected low phrases, and illustrations from cocks and quails, soup-pans and sycamore-spoons, grooms and farriers, and unnameable offices, especially if he talked with any superfine person. He had a Franklin-like wisdom. Thus, he showed one who was afraid to go on foot to Olympia, that it was no more than his daily walk within doors, if continuously extended, would easily reach.

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Plain old uncle as he was, with his great ears, mense talker, the rumor ran, that, on one or two occasions, in the war with Boeotia, he had shown a determination which had covered the retreat of a troop; and there was some story that, under cover of folly, he had, in the city government, when one day he chanced to hold a seat there, evinced a courage in opposing singly the popular voice, which had wellnigh ruined him. He is very poor; but then he is hardy as a soldier, and can live on a few olives; usually, in the strictest sense, on bread and water, except when entertained by his friends. His necessary expenses were exceedingly small, and no one else could live as he did. He wore no under garment; his upper garment was the same for summer and winter; and he went barefooted; and it is said that, to procure the pleasure, which he loves, of talking at his ease all day with the most elegant and cultivated young men, he will now and then return to his shop, and carve statues, good or bad, for sale. However that be, it is certain that he had grown to delight in nothing else than this conversation; and that, under his hypocritical pretence of knowing nothing, he attacks and brings down all the fine speakers, all the fine philosophers of Athens, whether natives, or strangers from Asia Minor and the islands. Nobody can refuse to talk with him, he is so honest, and really curious to know; à man who was willingly

confuted, if he did not speak the truth, and who willingly confuted others asserting what was false; and not less pleased when confuted than when confuting; for he thought not any evil happened to men, of such magnitude as false opinion respecting the just and unjust. A pitiless disputant, who knows nothing, but the bounds of whose conquering intelligence no man had ever reached; whose temper was imperturbable; whose dreadful logic was always leisurely and sportive; 80 careless and ignorant, as to disarm the wariest, and draw them, in the pleasantest manner, into horrible doubts and confusion. But he always knew the way out; knew it, yet I would not tell it. No escape; he drives them to terrible choices by his dilemmas, and tosses the Hippiases and Gorgiases, with their grand reputations, as a boy tosses his balls. The tyrannous realist! Meno has discoursed a thousand times, at length, on virtue, before many companies, and very well, as it appeared to him; but, at this moment, he cannot even tell what it is, this cramp-fish of a Socrates has so bewitched him.

This hard-headed humorist, whose strange conceits, drollery, and bonhommie, diverted the young patricians, whilst the rumor of his sayings and quibbles gets abroad every day, turns out, in the sequel, to have a probity as invincible as his logic, and to be either insane, or, at least, under cover of this play, enthusiastic in his religion. When accused before the judges of subverting the popular creed, he affirms the immortality of the soul, the future reward and punishment; and, refusing to recant, in a caprice of the popular govern ment, was condemned to die, and sent to the prison. Socrates entered the prison, and took away all ignominy from the place, which could not be a prison, whilst he was there. Crito bribed the jailer; but Socrates would not go out by treachery. "Whatever inconvenience ensue, nothing is to be preferred be fore justice. These things I hear like pipes and drums, whose sound makes me deaf to everything you say." The fame of this prison, the fame of the discourses there, and the drinking of the hemlock, are one of the most precious passages in the history of the world.

The rare coincidence, in one ugly body, of the droll and the martyr, the keen street and market debater with the sweetest saint known to any history at that time, had forcibly struck the mind of Plato, so capacious of these contrasts; and the figure of Socrates, by a necessity, placed itself in the fore

ground of the scene, as the fittest dispenser of the intellectual treasures he had to communicate. It was a rare fortune, that this Esop of the mob, and this robed scholar should meet, to make each other immortal in their mutual faculty. The strange synthesis, in the character of Socrates, capped the synthesis in the mind of Plato. Moreover, by this means, he was able, in the direct way, and without envy, to avail himself of the wit and weight of Socrates, to which unquestionably his own debt was great; and these derived again their principal advantage from the perfect art of Plato.

It remains to say, that the defect of Plato in power is only that which results inevitably from his quality. He is intellectual in his aim ; and, therefore, in expression, literary. Mounting into heaven, diving into the pit, expounding the laws of the state, the passion of love, the remorse of crime, the hope of the parting soul, he is literary, and never otherwise. It is almost the sole deduction from the merit of Plato, that his writings have not what is, no doubt, incident to this regnancy of intellect in his work the vital authority which the screams of prophets and the sermons of unlettered Arabs and Jews possess. There is an interval; and to cohesion, contact

is necessary.

I know not what can be said in reply to this criticism, but that we have come to a fact in the nature of things: an oak is not an orange. The qualities of sugar remain with sugar,

and those of salt, with salt.

In the second place, he has not a system. The dearest defenders and disciples are at fault. He attempted a theory of the universe, and his theory is not complete or self-evident. One man thinks he means this; and another, that he has said one thing in one place, and the reverse of it in another place. He is charged with having failed to make the transition from ideas to matter. Here is the world, sound as a nut, perfect, not the smallest piece of chaos left, never a stitch nor an end, not a mark of haste, or botching, or second thought; but the theory of the world is a thing of shreds and patches.

The longest wave is quickly lost in the sea. Plato would willingly have a Platonism, a known and accurate expression for the world, and it should be accurate. It shall be the world passed through the mind of Plato,-nothing less. Every atom shall have the Platonic tinge; every atom, every relation or quality you knew before, you shall know again, and find here, but now ordered; not nature, but art. And you

shall feel that Alexander indeed overran, with men and horses, some countries of the planet; but countries, and things of which countries are made, elements, planet itself, laws of planet and of men, have passed through this man as bread into his body, and become no longer bread, but body: so all this mammoth morsel has become Plato. He has clapped copyright on the world. This is the ambition of individualism. But the mouthful proves too large. Boa constrictor has good will to eat it, but he is foiled. He falls abroad in the attempt; and biting, gets strangled: the bitten world holds the biter fast by his own teeth. There he perishes: unconquered nature lives on, and forgets him. So it fares with all so must it fare with Plato. In view of eternal nature, Plato turns out to be philosophical exercitations. He argues on this side, and on that. The acutest German, the lovingest disciple, could never tell what Platonism was; indeed, admirable texts can be quoted on both sides of every great question from him.

These things we are forced to say, if we must consider the effort of Plato, or of any philosopher, to dispose of Nature,

which will not be disposed of. No power of genius has ever yet had the smallest success in explaining existence. The perfect enigma remains. But there is an injustice in assuming this ambition for Plato. Let us not seem to treat with flippancy his venerable name. Men, in proportion to their intellect, have admitted his transcendent claims. The way to know him, is to compare him, not with nature, but with other men. How many ages have gone by, and he remains unapproached! A chief structure of human wit, like Karnac, or the medieval cathedrals, or the Etrurian remains, it requires all the breadth of human faculty to know it. I think it is trueliest seen, when seen with the most respect. His sense deepens, his merits multiply, with study. When we say, here is a fine collection of fables; or, when we praise the style; or the common sense; or arithmetic; we speak as boys, and much of our impatient criticism of the dialectic, I suspect, is no better. The criticism is like our impatience of miles, when we are in a hurry; but it is still best that a mile should have seventeen hundred and sixty yards. The greateyed Plato proportioned the lights and shades after the genius of our life.

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