Exposed by the Mask: Form and Language in Drama

acceptable action actor ambiguous aria audience beat Beckett become beginning believe breath camera century certainly challenge characters Chekhov Chorus colloquial completely conductor contradiction Così fan tutte create darkness de-DUM de-DUM de-DUM define dialogue director discipline Don Giovanni drama dramatists Elizabethan emotions Ensembles Epidaurus ESTRAGON express feeling Figaro film full mask game of make-believe George Rylands gives Glyndebourne Godot Greek Chorus Greek mask Harold Pinter hide iambic pentameter images imagination jazz language leitmotif live look Marlowe Society means metaphor modern Mozart naturalism never opera house Opera Seria orchestra Orsino paradox passion pauses performance phrase Pinter play Poel poetic poetry precise provokes punctuation reality rehearsal rhythm Samuel Beckett scene sense sensual Shakespeare Shakespeare's text Shakespeare's verse shape silence sing singer smoothness soliloquy sound speaking speech subtext Susanna tell Tennessee Williams tension theatre thought true understand VLADIMIR voice William Poel words