Emerson and Greenough, Transcendental Pioneers of an American Esthetic

action already American ancient appears applied architects architecture argument artist aspect assertion attention aware become believer building chapter character chief completeness conceived conception of beauty conception of Deity concerned connection considered creation critic Deity deny derived device direct divine effect embellishment Emer Emerson England entire essay essentially esthetic esthetic conception Europe fact faith Form and Function forms function genius God's Greek Greenough hence Ibid imitation important independent individual institution intellect interest Italy Journals less limited look major man's mean mind monumental nature nearly neoclassical object observed organic original perceived perhaps philosopher poet position practical priest primarily principles protestant reason recognized regard relation religious remain require result sculpture seen sense served society static structure suggested tended theory things thinking thought tion tradition transcendental true turned unity universe vast Washington