Friend Or Foe?: Russians in American Film and Foreign Policy, 1933-1991Scarecrow Press, 1997 - 255 páginas During the nearly sixty years of filmmaking, the always uneasy and often fractious Soviet-American relationship has been mirrored in Hollywood's portrayal of Russians and the Soviet Union. Friend or Foe? examines the portrayal of the Soviet Union in American film, and shows how these films reflect the attitudes of Americans, as well as how each portrayal changed with the often uneasy relations between the two countries. The authors show how films, as rich repositories of national consciousness, can be analyzed to reveal time-bound insights into popular fears and obsessions. History lovers and film buffs will appreciate the tongue-in-cheek approach to many of the absurdist films. Scholars in history, film studies, and political science will find the depth and breadth of research useful. A filmography, bibliography, and photographs further complement the study. |
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Página 72
... screens , 3 - D , special effects , and spectacular costume epics . Hollywood Fights Back Wide - screen CinemaScope , invented in France thirty years earlier and purchased by Fox in the early fifties , debuted in 1953 with The Robe . It ...
... screens , 3 - D , special effects , and spectacular costume epics . Hollywood Fights Back Wide - screen CinemaScope , invented in France thirty years earlier and purchased by Fox in the early fifties , debuted in 1953 with The Robe . It ...
Página 199
... screen . With so much at stake , movies become collaborative enterprises- art by committee . Which is not to say that individual artistic talents cannot shine forth . They do . However , the atomized , step - by - step film- making ...
... screen . With so much at stake , movies become collaborative enterprises- art by committee . Which is not to say that individual artistic talents cannot shine forth . They do . However , the atomized , step - by - step film- making ...
Página 200
... screen . To avoid being relegated to cable television's cyber heaven , it is best to forego questioning the holy cows of America's perceptual universe . In prime time , family values and for- eign policy go hand in hand . This is not to ...
... screen . To avoid being relegated to cable television's cyber heaven , it is best to forego questioning the holy cows of America's perceptual universe . In prime time , family values and for- eign policy go hand in hand . This is not to ...
Índice
Chapter | 34 |
Chapter Three | 60 |
Chapter Four | 96 |
Direitos de autor | |
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Friend Or Foe?: Russians in American Film and Foreign Policy, 1933-1991 Michael J. Strada,Harold Martin Troper,Harold R. Troper Pré-visualização limitada - 1997 |
Palavras e frases frequentes
agent allies American appear arms attack audience become Bond British characters cinematic Clark Gable Cold Cold War Coming communism communist cooperation crisis critic culture death defects detente directed director early effort enemy evil face failed favorable fear fight films finally forces foreign policy German hands Hollywood hope human Invasion John leader less light live look major Michael military mission Moscow named Nazi never Ninotchka North nuclear Office once peace Peter picture played plot political president Press produced proved Rambo Reagan relations released remains represented Richard Rocky role Roosevelt Russian screen seemed served side social Soviet Union Star story studio turned United University Vietnam wanted West York young