Friend Or Foe?: Russians in American Film and Foreign Policy, 1933-1991Scarecrow Press, 1997 - 255 páginas During the nearly sixty years of filmmaking, the always uneasy and often fractious Soviet-American relationship has been mirrored in Hollywood's portrayal of Russians and the Soviet Union. Friend or Foe? examines the portrayal of the Soviet Union in American film, and shows how these films reflect the attitudes of Americans, as well as how each portrayal changed with the often uneasy relations between the two countries. The authors show how films, as rich repositories of national consciousness, can be analyzed to reveal time-bound insights into popular fears and obsessions. History lovers and film buffs will appreciate the tongue-in-cheek approach to many of the absurdist films. Scholars in history, film studies, and political science will find the depth and breadth of research useful. A filmography, bibliography, and photographs further complement the study. |
No interior do livro
Resultados 1-3 de 39
Página 37
... allies were bound together by a common enemy , not a common philosophy . Differences in ideology were at best papered over . Even before the war , Roosevelt worked to enlist Stalin against Hitler ; once war broke out in 1939 , and in ...
... allies were bound together by a common enemy , not a common philosophy . Differences in ideology were at best papered over . Even before the war , Roosevelt worked to enlist Stalin against Hitler ; once war broke out in 1939 , and in ...
Página 38
... Allied victory seemed little more than a pipe dream . Against this backdrop , communications between the Soviet Union and United States through 1942 remained sporadic and guarded . They seemed less allies than cobelligerents , since ...
... Allied victory seemed little more than a pipe dream . Against this backdrop , communications between the Soviet Union and United States through 1942 remained sporadic and guarded . They seemed less allies than cobelligerents , since ...
Página 44
... allies.22 Leaving no room for doubt , filmic images of Russians in World War II remained unrelentingly positive . While Roosevelt courted Stalin , American cinema focused on all the virtues and none of the vices of the Russian people ...
... allies.22 Leaving no room for doubt , filmic images of Russians in World War II remained unrelentingly positive . While Roosevelt courted Stalin , American cinema focused on all the virtues and none of the vices of the Russian people ...
Índice
Chapter | 34 |
Chapter Three | 60 |
Chapter Four | 96 |
Direitos de autor | |
6 outras secções não apresentadas
Outras edições - Ver tudo
Friend Or Foe?: Russians in American Film and Foreign Policy, 1933-1991 Michael J. Strada,Harold Martin Troper,Harold R. Troper Pré-visualização limitada - 1997 |
Palavras e frases frequentes
agent allies American appear arms attack audience become Bond British characters cinematic Clark Gable Cold Cold War Coming communism communist cooperation crisis critic culture death defects detente directed director early effort enemy evil face failed favorable fear fight films finally forces foreign policy German hands Hollywood hope human Invasion John leader less light live look major Michael military mission Moscow named Nazi never Ninotchka North nuclear Office once peace Peter picture played plot political president Press produced proved Rambo Reagan relations released remains represented Richard Rocky role Roosevelt Russian screen seemed served side social Soviet Union Star story studio turned United University Vietnam wanted West York young