No interior do livro
Resultados 1-3 de 10
Página 30
A florilegium of this kind could be continued , but at the expense of proportion . Delacroix insisted always that an artist should be sufficiently of his time to use means which were known to it ; he was in his example a romantic artist ...
A florilegium of this kind could be continued , but at the expense of proportion . Delacroix insisted always that an artist should be sufficiently of his time to use means which were known to it ; he was in his example a romantic artist ...
Página 39
He laughed , and felt the corners of his mouth split and all the teeth catch in the wind , he laughed and seemed inside to shine with laughter ; how could frying and falling walls happen on this kind of a glass morning ?
He laughed , and felt the corners of his mouth split and all the teeth catch in the wind , he laughed and seemed inside to shine with laughter ; how could frying and falling walls happen on this kind of a glass morning ?
Página 69
... St. Austin's was one of the churches visited by Pater , and that he was there brought into contact , perhaps only of the most superficial kind , with Richard Jackson , who was certainly a conspicuous figure in its ministrations .
... St. Austin's was one of the churches visited by Pater , and that he was there brought into contact , perhaps only of the most superficial kind , with Richard Jackson , who was certainly a conspicuous figure in its ministrations .
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
3 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
able already appeared artist become began Belfast believe Bell bright building called centre century church colour criticism Cushendun Delacroix door Dublin effect English Esmond expression face fact feel felt figure give hand Hargrave head hope human instance interest John kind least less Letter light living London looked means Message mind morning moved natural never noted novel officer once painters painting passed passion Pater perhaps personality rest Rice Road round seemed sense Sickert side society Street style things thought took trees true turned Ulster Victorian walked wind writing wrote young