No interior do livro
Resultados 1-3 de 12
Página 25
He took an interest in them in so far as their art unmistakably impinged on his own . Artistically , he belonged to a small clique a clique determined by topography rather than the bounds of the spirit . Nothing that happened within ...
He took an interest in them in so far as their art unmistakably impinged on his own . Artistically , he belonged to a small clique a clique determined by topography rather than the bounds of the spirit . Nothing that happened within ...
Página 30
His intellectual history is of the first interest to all who care for that classical tradition which remains , as Gide once said , ' a school of design for Europe and the whole world . ' It is a history of progress from particular to ...
His intellectual history is of the first interest to all who care for that classical tradition which remains , as Gide once said , ' a school of design for Europe and the whole world . ' It is a history of progress from particular to ...
Página 69
Real external evidence that might help to dissipate the shadows in which Pater as a human being is enfolded would be of the highest interest , whatever weaknesses or wickednesses it uncovered - revelations , indeed , of the weaknesses ...
Real external evidence that might help to dissipate the shadows in which Pater as a human being is enfolded would be of the highest interest , whatever weaknesses or wickednesses it uncovered - revelations , indeed , of the weaknesses ...
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
3 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
able already appeared artist become began Belfast believe Bell bright building called centre century church colour criticism Cushendun Delacroix door Dublin effect English Esmond expression face fact feel felt figure give hand Hargrave head hope human instance interest John kind least less Letter light living London looked means Message mind morning moved natural never noted novel officer once painters painting passed passion Pater perhaps personality rest Rice Road round seemed sense Sickert side society Street style things thought took trees true turned Ulster Victorian walked wind writing wrote young