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Página 8
The long eighteenth - century perspectives of the side - streets ( and how the drama of these perspectives is reinforced and driven home by the Dublin habit of painting the returns of the windows a lighter colour than the surrounding ...
The long eighteenth - century perspectives of the side - streets ( and how the drama of these perspectives is reinforced and driven home by the Dublin habit of painting the returns of the windows a lighter colour than the surrounding ...
Página 30
Bonington and Copley Fielding were his friends , and from Constable he learned that first principle of colour which underlies the dazzling assurance of his tonality . He read a great deal , and has probably a wider and more vivid ...
Bonington and Copley Fielding were his friends , and from Constable he learned that first principle of colour which underlies the dazzling assurance of his tonality . He read a great deal , and has probably a wider and more vivid ...
Página 36
Under a white sky the walls , roads , people , trees shone brightly coloured , red , green , blue , grey colours , as in a folk - tale , as if everything were made of coloured glass . Behind white cloud the sun hung and fiercely glowed ...
Under a white sky the walls , roads , people , trees shone brightly coloured , red , green , blue , grey colours , as in a folk - tale , as if everything were made of coloured glass . Behind white cloud the sun hung and fiercely glowed ...
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Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
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