No interior do livro
Resultados 1-3 de 14
Página 8
The long eighteenth - century perspectives of the side - streets ( and how the drama of these perspectives is reinforced and driven home by the Dublin habit of painting the returns of the windows a lighter colour than the surrounding ...
The long eighteenth - century perspectives of the side - streets ( and how the drama of these perspectives is reinforced and driven home by the Dublin habit of painting the returns of the windows a lighter colour than the surrounding ...
Página 10
Beside this the dome of the Customs House , in every other way as fine a building , has a rather pedestrian look ; but then , t was entirely rebuilt in the present century and , despite repeated assurances that it is an exact replica of ...
Beside this the dome of the Customs House , in every other way as fine a building , has a rather pedestrian look ; but then , t was entirely rebuilt in the present century and , despite repeated assurances that it is an exact replica of ...
Página 90
The problem is there and cannot be dodged . . . with the year 1943 the 20th century has begun in earnest , and we in Ireland , .in common with the rest of the world , have got to live in it . • C Where else in modern Europe would this ...
The problem is there and cannot be dodged . . . with the year 1943 the 20th century has begun in earnest , and we in Ireland , .in common with the rest of the world , have got to live in it . • C Where else in modern Europe would this ...
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
3 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
able already appeared artist become began Belfast believe Bell bright building called centre century church colour criticism Cushendun Delacroix door Dublin effect English Esmond expression face fact feel felt figure give hand Hargrave head hope human instance interest John kind least less Letter light living London looked means Message mind morning moved natural never noted novel officer once painters painting passed passion Pater perhaps personality rest Rice Road round seemed sense Sickert side society Street style things thought took trees true turned Ulster Victorian walked wind writing wrote young