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Página 22
If , to be an artist , it was not absolutely necessary to épater les bourgeois , it was necessary to do so in order to be reckoned one in the best circles . And it was in the best artistic and intellectual circles that Sickert was ...
If , to be an artist , it was not absolutely necessary to épater les bourgeois , it was necessary to do so in order to be reckoned one in the best circles . And it was in the best artistic and intellectual circles that Sickert was ...
Página 30
Delacroix insisted always that an artist should be sufficiently of his time to use means which were known to it ; he was in his example a romantic artist , with all the sensationalism of lust , extravagance and death which this phrase ...
Delacroix insisted always that an artist should be sufficiently of his time to use means which were known to it ; he was in his example a romantic artist , with all the sensationalism of lust , extravagance and death which this phrase ...
Página 32
It is a true symptom of his change of heart that he cam to feel more in sympathy with Stendhal than with Victor Hugo Stendhal at least understood what for Delacroix had become a firs principle of the artist's life the necessity of not ...
It is a true symptom of his change of heart that he cam to feel more in sympathy with Stendhal than with Victor Hugo Stendhal at least understood what for Delacroix had become a firs principle of the artist's life the necessity of not ...
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Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
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able already appeared artist become began Belfast believe Bell bright building called centre century church colour criticism Cushendun Delacroix door Dublin effect English Esmond expression face fact feel felt figure give hand Hargrave head hope human instance interest John kind least less Letter light living London looked means Message mind morning moved natural never noted novel officer once painters painting passed passion Pater perhaps personality rest Rice Road round seemed sense Sickert side society Street style things thought took trees true turned Ulster Victorian walked wind writing wrote young