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Página 94
For elsewhere , with the Victorians we are in a world of dreadful empowered children . ... How far the Victorian family was falsified by the mirror of Victorian art , or how far its characteristics were merely exaggerated , cannot be ...
For elsewhere , with the Victorians we are in a world of dreadful empowered children . ... How far the Victorian family was falsified by the mirror of Victorian art , or how far its characteristics were merely exaggerated , cannot be ...
Página 95
They are , at the first glance , unlike the Victorian in being static ( time is never a factor in them ) , in being unsensuous and unvisual , in refusing to differentiate between comedy and tragedy , in being without remorse .
They are , at the first glance , unlike the Victorian in being static ( time is never a factor in them ) , in being unsensuous and unvisual , in refusing to differentiate between comedy and tragedy , in being without remorse .
Página 96
For one thing , that disrespec for all other people underlying Victorian manners ( as Victorian showed them ) has not yet come to the end of its free say , and fea has not yet revenged itself to the full . The passive characters , almos ...
For one thing , that disrespec for all other people underlying Victorian manners ( as Victorian showed them ) has not yet come to the end of its free say , and fea has not yet revenged itself to the full . The passive characters , almos ...
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Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
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