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Página 47
His seven years were to be a continuous mellowng ( though never to that odious moderation ' which wise elders rophesied ) , but in 1934 Esmond was a terrifying figure . He was lirty and ill - dressed , immensely strong for his age and ...
His seven years were to be a continuous mellowng ( though never to that odious moderation ' which wise elders rophesied ) , but in 1934 Esmond was a terrifying figure . He was lirty and ill - dressed , immensely strong for his age and ...
Página 48
There was also a lean ma with thick spectacles , and he , Esmond whispered , had tried to com mit suicide two days before . His fingers were stained dark brow his nails bitten to the quick . Esmond treated these visitors withou respect ...
There was also a lean ma with thick spectacles , and he , Esmond whispered , had tried to com mit suicide two days before . His fingers were stained dark brow his nails bitten to the quick . Esmond treated these visitors withou respect ...
Página 53
It was a shock to find Esmond already at his typewriter , composing a story for some weekly magazine . But this stubborn realism was always to prove a corrective to his fantasies , and without it his picaresque existence would have been ...
It was a shock to find Esmond already at his typewriter , composing a story for some weekly magazine . But this stubborn realism was always to prove a corrective to his fantasies , and without it his picaresque existence would have been ...
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Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
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able already appeared artist become began Belfast believe Bell bright building called centre century church colour criticism Cushendun Delacroix door Dublin effect English Esmond expression face fact feel felt figure give hand Hargrave head hope human instance interest John kind least less Letter light living London looked means Message mind morning moved natural never noted novel officer once painters painting passed passion Pater perhaps personality rest Rice Road round seemed sense Sickert side society Street style things thought took trees true turned Ulster Victorian walked wind writing wrote young