No interior do livro
Resultados 1-3 de 12
Página 30
Delacroix insisted always that an artist should be sufficiently of his time to use means which were known to it ; he was in his example a romantic artist , with all the sensationalism of lust , extravagance and death which this phrase ...
Delacroix insisted always that an artist should be sufficiently of his time to use means which were known to it ; he was in his example a romantic artist , with all the sensationalism of lust , extravagance and death which this phrase ...
Página 32
Over th natural vehemence of his character he had achieved an absolut dominion ; other romantics would , in fact , have welcomed occasional outburst on their behalf , but Delacroix did not care t impose his views upon stray ...
Over th natural vehemence of his character he had achieved an absolut dominion ; other romantics would , in fact , have welcomed occasional outburst on their behalf , but Delacroix did not care t impose his views upon stray ...
Página 35
Delacroix was never entirely well , and he took extravagant precautions to maintain himself in health . One summer at Augerville a curious fellow - guest was startled to find in Delacroix's room innumerable sets of waistcoats , caps and ...
Delacroix was never entirely well , and he took extravagant precautions to maintain himself in health . One summer at Augerville a curious fellow - guest was startled to find in Delacroix's room innumerable sets of waistcoats , caps and ...
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
Portrait of an Artist The Young Gibbon Part I 91 | 10 |
Seventh City of Christendom By Osbert Lancaster 7 | 22 |
Théâtre à Paris pendant la Guerre le By Marcel Thiebaut 334 | 44 |
3 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
able already appeared artist become began Belfast believe Bell bright building called centre century church colour criticism Cushendun Delacroix door Dublin effect English Esmond expression face fact feel felt figure give hand Hargrave head hope human instance interest John kind least less Letter light living London looked means Message mind morning moved natural never noted novel officer once painters painting passed passion Pater perhaps personality rest Rice Road round seemed sense Sickert side society Street style things thought took trees true turned Ulster Victorian walked wind writing wrote young