The North American Review, Volume 4University of Northern Iowa, 1965 |
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Página 20
... semitone . Among larger intervals there are what musicians call a 4th , which is equal to two tones and a semitone ; and the 5th , equal to three tones and a semitone ; and the octave , which is equal to five tones and two semitones ...
... semitone . Among larger intervals there are what musicians call a 4th , which is equal to two tones and a semitone ; and the 5th , equal to three tones and a semitone ; and the octave , which is equal to five tones and two semitones ...
Página 27
... semitones ; the next ratio of increase is 1-9th , as from D to E and G to A , and these intervals are called minor ... semi- tones . These seven notes or sounds , which form the oc- tave , are such as are produced by the white ...
... semitones ; the next ratio of increase is 1-9th , as from D to E and G to A , and these intervals are called minor ... semi- tones . These seven notes or sounds , which form the oc- tave , are such as are produced by the white ...
Página 29
two semitones in the natural scale , which are more properly called major semitones , others are formed by an artificial contrivance of later years ; that is , by dividing the five ma- jor and minor tones : this is done by interposing ...
two semitones in the natural scale , which are more properly called major semitones , others are formed by an artificial contrivance of later years ; that is , by dividing the five ma- jor and minor tones : this is done by interposing ...
Índice
MISCELLANY | 93 |
Ancient Persian Bricks 328 422 | 158 |
Epigrams of Boileau | 206 |
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