The Raven and the Lark: Lost Children in Literature of the English RenaissanceThe lost child plot, which appears in the work of virtually every major author of the English Renaissance, is examined in this study of a wide variety of the literature of that period. |
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Índice
13 | |
18 | |
Finders Keepers Preservation and the Legendary Foundling | 27 |
Finding and Losing Beaulté and Noblesse Adoption in Malorys Works | 40 |
Transformation in Sidneys Old Arcadia | 54 |
Spenserian Hesitation | 68 |
Two Irreconcilable Foundlings The Love Story and the Saint Story in Book 1 of The Faerie Queene | 70 |
Two Creations Succession and Generation in Books 3 through 5 of The Faerie Queene | 84 |
Earned Reprieve in The Comedy of Errors and Pericles | 133 |
The Dream of a Better Life in As You Like It and Antony and Cleopatra | 143 |
A Manly Loss | 158 |
Hamlets Story or The Childs Refusal to Man the Father | 159 |
A World Within Found Enclosure and Final Exposure in King Lear | 170 |
Becoming the Story in The Winters Tale | 178 |
Telling the Story in The Tempest | 192 |
The Findings of Loss | 202 |
Two Recreations Pastorellas Return and the Poets Emergence in Book 6 of The Faerie Queene | 96 |
Shakespearean Explorations | 107 |
Richard III and Genesis 4 | 108 |
Romeo Juliet and the Art of Naming Love | 117 |
A Womanly Discovery | 131 |
Notes | 204 |
Bibliography | 218 |
226 | |
Outras edições - Ver tudo
The Raven and the Lark: Lost Children in Literature of the English Renaissance Barbara L. Estrin Visualização de excertos - 1985 |
Palavras e frases frequentes
abandoned accept acknowledges adoptive Antony appears Arthur bear becomes begins believe Britomart calls characters child Cleopatra Comedy connection continuity court created cycle death denies describes desire dream earlier earth earthly edited emerges existence experience Faerie Queene faith fall father fear feeling final flowers follow force formula foundling future Genesis give gods Hamlet Hermione heroes hope human initial interlude Juliet King knight Lear leaves live London loss lost lovers marriage means Merlin mind mother moves myth nature never once opening origin parents past Perdita play plot poet possible present promise Prospero reflects remains restoration Richard Romeo Rosalind scene seeks seems sense Shakespeare speech Spenser story Tale tell things thou thought tion transformation turn University Press vision writes York
Passagens conhecidas
Página 22 - I am in presence either of father or mother, whether I speak, keep silence, sit, stand, or go, eat, drink, be merry or sad, be sewing, playing, dancing, or doing anything else, I must do it, as it were, in such weight, measure, and number, even so perfectly as God made the world...
Referências a este livro
Reading Adoption: Family and Difference in Fiction and Drama Marianne Novy Pré-visualização limitada - 2005 |