From Antz To Titanic: Reinventing Film Analysis

Capa
Everybody analyses films. Ordinary viewers, chatting on the way home afterwards. Reviewers, telling us just enough to tempt or put off. Critics, ‘situating’ films for us. Moralists, hunting for the (harmful) message. So what exactly is it that film academics do that’s different?Martin Barker and Thomas Austin provide a jargon-free, accessible and student-friendly introduction to film analysis. They begin with a discussion about audience and a detailed case-study on four conflicting analyses of Capra’s It’s A Wonderful Life. The authors examine a range of popular Hollywood films in a variety of genres, including Titanic, Deep Impact, Sleepless in Seattle, The Lion King, Starship Troopers and The Usual Suspects, and provide vivid demonstrations of what can and can’t be achieved with close textual analysis. The book ends by proposing a list of measures for assessing the adequacy of film analyses: measures intended to lay the basis of a way of doing film analysis which goes beyond theoretically-predetermined and often obscurantist assertions.Explicitly rejecting much of the theoretical baggage that dogs contemporary film analysis, Barker and Austin strip the subject down to its bare essentials. The result is a provocative and timely reexamination of many of the basic tenets in film theory and analysis.

No interior do livro

Opinião das pessoas - Escrever uma crítica

Não foram encontradas quaisquer críticas nos locais habituais.

Índice

105
120
Dear Meg Dearest
134
A Very Deep Impact
155
Direitos de autor

3 outras secções não apresentadas

Outras edições - Ver tudo

Palavras e frases frequentes

Acerca do autor (2000)

Martin Barker is Reader in Media Studies at Sussex University. He is the author of numerous books and articles on media studies and popular culture. Thomas Austin lectures in film studies at Sussex University. He is the author of Hollywood: Hype and Audiences, forthcoming from Manchester University Press.

Informação bibliográfica