Shakespearian Production, Volume 6Routledge, 12/05/2014 - 328 páginas This part of the G. Wilson Knight collected works, Volume VI looks at his view on Shakespearian production with special reference to the Tragedies. |
Índice
| 13 | |
PREFACE TO THE FIRST EDITION 1936 | 21 |
Part I 1936 | 25 |
Part II 1949 and 1963 | 161 |
Appendix A The Agamemnon of Aeschylus | 301 |
Appendix B John Gabriel Borkman | 310 |
Appendix C Appreciations | 312 |
| 317 | |
Outras edições - Ver tudo
Shakespearian Production: With Especial Reference to the Tragedies George Wilson Knight Pré-visualização limitada - 2002 |
Palavras e frases frequentes
acting actor Antony and Cleopatra Apemantus appear audience Banquo Barker Beerbohm Caliban central Cesario chair climax colour con contrast costumes Craig curtain Desdemona dignity down-stage dramatic effect enters exit face figure final fore-stage formal front-scene gesture Ghost give given grandeur Hamlet Henry Horatio human Iago important Irving King Lear King’s Laertes Lear’s Leeds Leeds University Union lights lines look Macbeth Majesty’s meaning middle action movement nature open stage Orsino Othello performance persons picture platform play’s Poel poetic poetry Portia pro Queen realism Richard Richard II rises Romeo and Juliet scene sense Shake Shakespeare Shakespearian Shakespearian play Shakespearian production Shylock significant solid soliloquy solo voice sound spatial speaking spearian speech spiritual spoken steps Stratford suggestion symbolic Tempest Theatre thou thought throne thunder Timon of Athens tion Toronto tragedy tragic Tree Tree’s turns universal up-stage Venice visual Weird Sisters whole William Poel words