The Augustan VisionRoutledge, 24/12/2021 - 328 páginas First published in 1974, The Augustan Vision looks at the entire spectacle of Augustan Society in an attempt to see English culture as a whole and thus gain greater insight into this critical period in English Literature. Later parts of the book explore poetry, drama, and aesthetics; that distinctive expression of the age, satire, where abuse is made into art, and the moral essay; and finally, the emerging novel, the crucial new form of this period. This is a must read for students and researchers of English literature. |
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... Literature. Later parts of the book explore poetry, drama, and aesthetics; that distinctive expression of the age, satire, where abuse is made into art, and the moral essay; and finally, the emerging novel, the crucial new form of this ...
... Literature. Later parts of the book explore poetry, drama, and aesthetics; that distinctive expression of the age, satire, where abuse is made into art, and the moral essay; and finally, the emerging novel, the crucial new form of this ...
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... Literature as a place of Rest and Refreshment ' . This enterprise has come to look a little quaint . The phrase about ' rest and refreshment ' has been described by Mr John Gross as ' an unhappy formula which echoes through the book ...
... Literature as a place of Rest and Refreshment ' . This enterprise has come to look a little quaint . The phrase about ' rest and refreshment ' has been described by Mr John Gross as ' an unhappy formula which echoes through the book ...
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... literature, we are better prepared for the new directions poetry takes in the later eighteenth century.' In this book we shall not be concerned with the course later history was to take, or the immanent possibilities of Augustan forms ...
... literature, we are better prepared for the new directions poetry takes in the later eighteenth century.' In this book we shall not be concerned with the course later history was to take, or the immanent possibilities of Augustan forms ...
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Índice
Ideas and Beliefs | |
Pleasures of the Imagination | |
The Dress of Thought | |
Communications | |
Drama | |
Satire and the Moral Essay | |
The Satiric Inheritance | |
Swift | |
Pope | |
Gay and Scriblerian Comedy | |
Dr Johnson | |
The Novel | |
Roles and Identities | |
Books and Readers | |
Men Women and | |
Undercurrents | |
Poetry Drama Letters | |
Turn of the Century | |
The Widening Vista | |
Sensibility | |
The LetterWriters | |
Origins of an Art Form | |
Defoe | |
Richardson | |
Fielding | |
Sterne and Smollett | |
Notes and References | |
Reading List | |
Index | |
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achieved Addison admired aesthetic allegory artistic Augustan Beggar's Opera career century character Chesterfield Cibber Clarissa Colley Cibber comedy comic contemporary course criticism Crusoe culture Defoe Defoe's dramatic Dryden Dunciad eighteenth eighteenth-century England English Epistle Essay fact feeling fiction Fielding Fielding's Grongar Hill Gulliver Henry Fielding hero highwayman Hogarth Horace Walpole Humphry Clinker Ian Watt ideas imaginative important interest invention Jacobite rising John Johnson Jonathan Wild kind language later less letters literary literature living Locke London Lord mode moral narrative narrator Nash natural Newton novel Opera Pamela patron period play poem poet poetic poetry political Pope Pope's prose published reader Richardson satire scene Scriblerian sense Shamela Shandy Smollett social society sort Sterne style Swift taste theme things Thomson Tom Jones trade tragedy Tristram Tristram Shandy verse Walpole Whig whilst women writer wrote