American Literary EssaysLewis Gaston Leary Crowell, 1960 - 318 páginas |
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Página 63
... story was high art . Its essential tool ( or weapon ) , he said , is the pause —which is to say , timing . “ If the ... Story , " Mark differentiated between the comic story ( which he said was English ) , the witty story ( which he said ...
... story was high art . Its essential tool ( or weapon ) , he said , is the pause —which is to say , timing . “ If the ... Story , " Mark differentiated between the comic story ( which he said was English ) , the witty story ( which he said ...
Página 234
... story- teller's highly colored paragraph can be read without giving offense in the chaste language of the ... Story ” and “ What Paul Bourget Thinks of Us , " both of which first appeared in the 1890s and were col- lected in the volume ...
... story- teller's highly colored paragraph can be read without giving offense in the chaste language of the ... Story ” and “ What Paul Bourget Thinks of Us , " both of which first appeared in the 1890s and were col- lected in the volume ...
Página 249
... story , as a mere story , is to the story - writer the one great object of attention . How reconcile then these two apparent contradictions ? For the novelist , the purpose of his novel , the problem he is to solve , is to his story ...
... story , as a mere story , is to the story - writer the one great object of attention . How reconcile then these two apparent contradictions ? For the novelist , the purpose of his novel , the problem he is to solve , is to his story ...
Índice
Introduction | 1 |
Oliver Wendell Holmes 18091894 | 5 |
Washington Irving 17831859 | 16 |
Direitos de autor | |
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Palavras e frases frequentes
Allen Tate Amer American appeared artist beauty become called character consciousness conventional Cooper criticism culture Deerslayer E. B. White effect Emerson Emily Dickinson emotion England English essay experience expression eyes fact feel fiction genius give H. L. Mencken Hawthorne heart Henry James human ican ideal ideas images imagination intellectual interest jazz Karl Shapiro kind language Leaves of Grass less literary literature live look Lowell Mark Twain matter means Melville ment mind Moby Dick moral nature ness never novel novelist Parrington passion perhaps Pierre poem poet poetic poetry political present prose R. P. Blackmur reader reality romance scholar seems sense social society soul speak spirit stand story T. S. Eliot tell theme things thought tion tradition true truth ture verse Whitman whole words writing wrote