Studies in Eighteenth-Century Culture, Volume 34

Catherine E. Ingrassia, Jeffrey S. Ravel
JHU Press, 04/05/2005 - 360 páginas

With this well-illustrated new volume, the SECC continues its tradition of publishing innovative interdisciplinary scholarship on the interpretive edge.

Essays include:
Misty Anderson, Our Purpose is the Same: Whitefield, Foote, and the Theatricality of Methodism

Tili Boon Cuillé, La Vraisemblance du merveilleux: Operatic Aesthetics in Cazotte's Fantastic Fiction

Simon Dickie, Joseph Andrews and the Great Laughter Debate: The Roasting of Adams

Lynn Festa, Cosmetic Differences: The Changing Faces of England and France

Blake Gerard, All that the heart wishes: Changing Views toward Sentimentality Reflected in Visualizations of Sterne's Maria, 1773-1888

Jennifer Keith, The Sins of Sensibility and the Challenge of Antislavery Poetry

Mary Helen McMurran, Aphra Behn from Both Sides: Translation in the Atlantic World

Leslie Richardson, Leaving her Father's House: Locke, Astell, and Clarissa's Body Politic

Sandra Sherman, The Wealth of Nations in the 1790s

Alan Sikes, Snip Snip Here, Snip Snip There, and a Couple of Tra La Las: The Rise and Fall of the Castrato Singer

Rivka Swenson, Representing Modernity in Jane Barker's Galesia Trilogy: Jacobite Allegory and the Aesthetics of the Patch-Work Subject

No interior do livro


The Changing Faces of England and France
The Wealth of Nations in 1790s
The Formal Challenges of Antislavery Poetry
Whitefield Foote and the Theatricality
Astell Locke and Clarissas Body
Operatic Aesthetics in Cazottes
Changing Views toward Sentimentality
Joseph Andrews and the Great Laughter Debate
Direitos de autor

Palavras e frases frequentes

Acerca do autor (2005)

Catherine Ingrassia is an associate professor of English and director of the Masters Program in English at Virginia Commonwealth University. Jeffrey S. Ravel is an associate professor of history at the Massachusetts Institute of Technology. He is the author of The Contested Parterre: Public Theater and French Political Culture, 1680–1791 (Cornell, 1999) and a cofounder of CESAR, a Web site devoted to the study of seventeenth- and eighteenth-century French theater.

Informação bibliográfica