The Creation of Art: New Essays in Philosophical AestheticsBoth Lecturers Department of Moral Philosophy Berys Gaut, Berys Gaut, Paisley Livingston, Chair Professor of Philosophy and Dean of Humanities Paisley Livingston Cambridge University Press, 17/03/2003 - 295 páginas Although creativity, from Plato onwards, has been recognized as a topic in philosophy, it has been overshadowed by investigations of the meanings and values of works of art. In this new collection of essays a distinguished roster of philosophers of art redress this trend. The subjects discussed include the nature of creativity and the process of artistic creation; the role that creative making should play in our understanding and evaluation of art; relations between concepts of creation and creativity; and ideas of tradition, metaphor, genius, imagination and genre. |
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Índice
Acknowledgments page | 1 |
How to Create a Fictional Character | 33 |
An Approach to Creation in an Art | 53 |
Pentimento | 89 |
Genius Universality | 116 |
Some Thoughts after Kant | 138 |
Creativity and Imagination | 148 |
Explanations of Creativity | 174 |
Culture Convention and Creativity | 192 |
Art Creativity and Tradition | 208 |
Elster on Artistic Creativity | 235 |
List of Contributors | 288 |
Outras edições - Ver tudo
The Creation of Art: New Essays in Philosophical Aesthetics Berys Gaut,Paisley Livingston Pré-visualização indisponível - 2007 |
Palavras e frases frequentes
actions activity actual aesthetic aims appear argues argument artistic creativity artworks audience beautiful believe Cambridge character claim concept consider constraints conventions course create creation creative process critical depiction discussion distinction drawing earlier effects essay essential evidence example existence explain expression fact fictional fictional characters figure follows function genius give given holds human idea imagination important individual instance intention interest interpretation involves issues Kant Kant's kind least literary marks matter means metaphors mind narrative nature noted object originality painting particular perhaps person philosophical picture play possible practice present primitives principles problem production properties question reason regard region relation representation requires result role rules seems sense shape sort specific Sternberg structure suggest theory things thought tion tradition turn understanding University Press writing