Emerson's Theories of Literary Expressions, Volume 8University of Illinois, 1923 - 152 páginas |
Outras edições - Ver tudo
Emerson's Theories of Literary Expressions, Volume 8 Emerson Grant Sutcliffe Visualização de excertos - 1923 |
Emerson's Theories of Literary Expression: Thesis (Classic Reprint) Emerson Grant Sutcliffe Pré-visualização indisponível - 2017 |
Emerson's Theories of Literary Expression: Thesis (Classic Reprint) Emerson Grant Sutcliffe Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
American Art and Criticism attitude Bacon beauty believe Boston C. E. Corr Carlyle character Coleridge common compression connection declares divine doctrine dualism effect Eloquence Emer Emerson finds Emerson says Emerson's belief Emerson's theories Emersonian English Traits Essays eternal experience expression F. B. SANBORN fact genius gives Goethe History of Intellect human ideal idiomatic illustration important influence inspiration Jour Journals kind Konungs Skuggsjá Landor language laws Lectures Leonard Bloomfield Letters literary literature material means mind Montaigne names Natural History never object orator Over-Soul philosophical Plato Plutarch poems poet Poetry and Imagination prose proverbs qualities Ralph Waldo Emerson Reason regard relation Representative rhetoric Sampson Reed Self-Reliance sense sentences Shakspeare simple simplicity Society and Solitude speak speech stylistic suggest Superlative Swedenborg symbol tells things thought tion transcendental transcendentalist true unity UNIVERSITY OF ILLINOIS utterance VIII Walter Savage Landor wish words writing York
Passagens conhecidas
Página 103 - But lest I should mislead any when I have my own head and obey my whims, let me remind the reader that I am only an experimenter. Do not set the least value on what I do, or the least discredit on what I do not, as if I pretended to settle anything as true or false. I unsettle all things. No facts are to me sacred; none are profane; I simply experiment, an endless seeker, with no Past at my back.
Página 19 - Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance.
Página 64 - Not so with our recent actions — with the business which we now have in hand. On this we are quite unable to speculate. Our affections as yet circulate through it. We no more feel or know it than we feel the feet, or the hand, or the brain of our body. The new deed is yet a part of life — remains for a time immersed in our unconscious life. In some contemplative hour it detaches itself from the life like a ripe fruit to become a thought of the mind.
Página 19 - There seems to be a necessity in spirit to manifest itself in material forms ; and day and night, river and storm, beast and bird, acid and alkali, preexist in necessary Ideas in the mind of God, and are what they are by virtue of preceding affections in the world of spirit. A Fact is the end or last issue of spirit. The visible creadon is the terminus or the circumference of the invisible world.
Página 62 - Life is our dictionary. Years are well spent in country labors; in town, — in the insight into trades and manufactures; in frank intercourse with many men and women; in science; in art; to the one end of mastering in all their facts a language by which to illustrate and embody our perceptions.
Página 121 - These varieties are lost sight of at a little distance, at a little height of thought. One tendency unites them all. The voyage of the best ship is a zigzag line of a hundred tacks. See the line from a sufficient distance, and it straightens itself to the average tendency.
Página 46 - As no air-pump can by any means make a perfect vacuum, so neither can any artist entirely exclude the conventional, the local, the perishable from his book...
Página 114 - Illusion, Temperament, Succession, Surface, Surprise, Reality, Subjectiveness, — these are threads on the loom of time, these are the lords of life. I dare not assume to give their order, but I name them as I find them in my way. I know better than to claim any completeness for my picture. I am a fragment, and this is a fragment of me.
Página 37 - We buy ashes for bread; We buy diluted wine; Give me of the true, — Whose ample leaves and tendrils curled Among the silver hills of heaven Draw everlasting dew...
Página 66 - Those facts, words, persons, which dwell in his memory without his being able to say why, remain, because they have a relation to him not less real for being as yet unapprehended. They are symbols of value to him, as they can interpret parts of his consciousness which he would vainly seek words for in the conventional images of books and other minds.
Referências a este livro
The Shadow of the Dome: Organicism and Romantic Poetry Inger Christensen Visualização de excertos - 1985 |