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Página 286
The more advanced Indian and Far Eastern artists were naturally much quicker to recognise the Europeans ... Her voluminous clothes made it difficult for the artist to know the physical details of her body , and no doubt he was prepared ...
The more advanced Indian and Far Eastern artists were naturally much quicker to recognise the Europeans ... Her voluminous clothes made it difficult for the artist to know the physical details of her body , and no doubt he was prepared ...
Página 289
In the Far East , as well , we notice a certain division between the artist's treatment of his own and white women . His own , whether she be Japanese geisha or Moslem houri , is all grace , airiness , and delicate sensuousness .
In the Far East , as well , we notice a certain division between the artist's treatment of his own and white women . His own , whether she be Japanese geisha or Moslem houri , is all grace , airiness , and delicate sensuousness .
Página 309
But the artists who gave the finest expression to those styles — let us say Cimabue and Bernini - were working for a ... naïve and imperfect memories of images already invented for the élite by such an artist as Phillipe de Champagne .
But the artists who gave the finest expression to those styles — let us say Cimabue and Bernini - were working for a ... naïve and imperfect memories of images already invented for the élite by such an artist as Phillipe de Champagne .
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The Science of Life | 184 |
Need a Friend By Elizabeth Berridge | 281 |
Sullivan | 307 |
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